Object Alone

Obj. ID: 53431  Köszönöm Raoul Wallenberg Monument, Ann Arbor, MI, USA, 1995

© Levin, Vladimir, Photographer: Levin, Vladimir, 2024

Name of Monument

Köszönöm Raoul Wallenberg Monument [Thank you Raoul Wallenberg]

What/Who is commemorated

Raoul Wallenberg

Description

The monument is situated at the entrance to the Arts and Architecture Building (built 1971) on the North Campus of the University of Michigan.

An equilateral triangle is the foundation of a sculptural group made up of huge granite stones and stainless steel. On the left side, the is a composition of three granite blocks: one lying on the ground, another one standing, and the third one lying on two steel rails. The standing block dears an inscription in Hungarian, "Thank you Raoul Wallenberg."
The composition on the right consists of two granite blocs, one lying and one standing, and a steel construction delineating a triangular space. The standing block bears the inscription "One person can make a difference."

Three bronze plaques with English inscriptions are placed on the ground.

According to Schult, "the ensemble on the left is meant to symbolize the destruction of wartime Budapest while the framework of stainless steel over granite stones on the right is a metaphor for the shelter provided by the Swedish safe houses" (p. 331).

Inscriptions

On the tallest stone, in Hungarian:

Köszönöm
Raoul
Wallenberg

translation: Thank you Raoul Wallenberg

 

On the horizontal stone, in English:

One person can make a difference

 

On the first bronze plaque, in English:

Köszönöm Raoul Wallenberg
Thank you Raoul Wallenberg

Jon Rush, sculptor
Dedicated by Ambassador
Per Anger

October 26, 1995

Gift of the Sol King Family
and the Sculptor

 

On the second bronze plaque, which is closest to the entrance to the buildings in English:

A Memorial
to
Raoul Wallenberg, ’35

Given in memory of
Sol King, ’34

Classmates
Friends and humanitarians

On the third plaque, in English:

During World War II, from July 1944 to January 1945, Raoul Wallenberg
served as a Swedish diplomat in Budapest, Hungary. There he saved over
one hundred thousand Jewish men, women, and children from execution by
the Nazi regime. He offered them “instant” Swedish citizenship, a Swedish
passport known as a “Schutzpass,” and sanctuary in “safe houses” which
provided Swedish diplomatic immunity.

On January 17, 1945, Raoul Wallenberg left Budapest to meet with a
Russian commander to obtain food for refugees. On the way he was taken
into protective custody by the Soviet secret police and sent to Lubianka
Prison in Moscow. That was the last time Raoul Wallenberg was seen as a
free man.

“Wallenberg clearly saw the need for one man to bring all his resources of
knowledge, creativity, and talent, to bear on his efforts to ensure the survival
of others. Let us hope his selfless and understanding example will serve as an
inspiration as we face the challenges both of the present and of the future.”
Sol King         

Commissioned by

The University of Michigan, Jon N. Rush, and the Sol King Family

Documenter
Vladimir Levin | 2024
Author of description
Vladimir Levin | 2024
Architectural Drawings
|
Computer Reconsdivuction
|
Section Head
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Language Editor
|
Donor
|

35 image(s)

Name / Title
Köszönöm Raoul Wallenberg Monument | Unknown
Monument Setting
Object Detail
Completion Date
1995
Synagogue active dates
Reconstruction dates
Artist/ Maker
Rush, Jon N. (sculptor)
{"5303":"Jewish American. Born in 1935 in Atlanta. Georgia. Studied at the Cranbrook Academy of Art, Bloomfield Hills, MI. Professor of Sculpture in the School of Art and Design at the University of Michigan in 1962\u20132005 (Schult, p. 332)."}
Location
United States of America (USA) | Michigan | Ann Arbor, MI
| Arts and Architecture Bldg., North Campus, The University of Michigan, 2000 Bonisteel Blvd, Ann Arbor, MI 48109
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Unknown |
Iconographical Subject
Material / Technique
Rose and grey granite, stainless steel, red paving stones
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
The triangle is 8.8 m x 8.8 m x 12.6 m
The tallest stone’s height – 2 m
Steel construction’s height – 1.7 m
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
0
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature

The name of the sculptor appears on the first bronze plaque.

Colophon
Scribal Notes
Watermark
Hallmark
Binding
Decoration Program
Summary and Remarks
History

The concept of a monument to honor Raoul Wallenberg in the University of Michigan where he studied architecture from 1931 to 1935, originated with a letter that Jon Rush wrote in 1975 (Schult, p. 189-90, 332).

The work on the monument started in 1992. The sculpture was financed by the family of Sol King, who studied with Wallenberg and from 1958 to 1975 was the president of Albert Kahn Associates. The sculptor, Jon N. Rush, donated his services and the granite stones.

The sculpture was unveiled on October 26, 1995 by Per Anger, a Swedish diplomat who co-worked with Wallenberg at the Swedish legation in Budapest, 60 years after Wallenberg’s graduation from the School of Art and Architecture at the University of Michigan and 50 years after his disappearance and the end of World War II.

According to Schult, the original second bronze plaque was replaced because it stated that the memorial was dedicated to Sol King in memory of Raoul Wallenberg, and vice versa (p. 331). The University of Michigan financed the replacement of the plaque (p. 332).

Main Surveys & Excavations
Sources

Schult, Tanja, A Hero’s Many Faces: Raoul Wallenberg in Contemporary Monuments. (New York: Palgrave Macmillan, 2012), pp. 189-196, 331-333.
Type
The following information on this monument will be completed: