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Obj. ID: 14982  Great Synagogue in Kovel - interior, photos of 2011

© Center for Jewish Art, Photographer: Kravtsov, Sergey, 2011

Steel ribs divide the vault into 16 segments, five on its southern and northern sides, and three on the western and eastern sides. According to witnesses’ memoirs, the vault was painted, by “a non-Jewish artist from Odessa,” with depictions of musical instruments, as named in Psalm 150.[1] Presently, tin sheets line the dome vault from underneath, and it is not clear whether the paintings were made on this very tin, or whether they were substituted or covered with a new tin layer.


[1] Yosef Shapiro, “Mi-ma’amakim (zikhroynes vegn unzer heym-shtot kovle),” Pinkos kovel, ed. Bezalel Baler (Buenos Aires, 1951), 180; Eliyahu Mandel, “Kipat beit ha-kneset ha-gadol be-kovel,” Irgun yotsei Kovel be-Israel, Dapei hantsaḥah u-meida 5 (2000): 25. (www.israeli-kovel-org.org/magazines/magazin5.pdf, accessed 14.10.2014). Mandel’s testimony that the vault was divided into six parts seems doubtful and probably originates from the fact that the Psalm contains six verses.

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Name/Title
Great Synagogue in Kovel, interior | Unknown
Object
Object Detail
Date
1908
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Community
Congregation
Unknown|
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Unknown |
Material/Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Shape / Form
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography

Yosef Shapiro, “Mi-ma’amakim (zikhroynes vegn unzer heym-shtot kovle),” Pinkos kovel, ed. Bezalel Baler (Buenos Aires, 1951), 180. Eliyahu Mandel, “Kipat beit ha-kneset ha-gadol be-kovel,” Irgun yotsei Kovel be-Israel, Dapei hantsaḥah u-meida 5 (2000): 25. (www.israeli-kovel-org.org/magazines/magazin5.pdf, accessed 14.10.2014).


Kravtsov, Sergey and Vladimir Levin. Synagogues in Ukraine: Volhynia (Jerusalem: Zalman Shazar Center and the Center for Jewish Art, 2017)
Short Name
Full Name
Volume
Page
Type
Documenter
|
Researcher
Vladimir Levin, Sergey Kravtsov | 2014-15
Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
Uri Groneman | 2014-15
Donor
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Negative/Photo. No.