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Obj. ID: 23758
Hebrew Illuminated Manuscripts
  Esther Scroll with Landscapes I from an Unknown Collection (2)Amsterdam (?), early 18th century

© ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art, Photographer: Unknown,

The scroll represents the type called "scrolls with landscapes" because the decorative scheme of them features four different landscapes framed in cartouches that fill upper margins and repeat on every sheet in the same order:

1. On the left, two men with a dog standing at the gate are shown against a landscape of mountains and trees that are visible in the background.
2. On the right, two wanderers going towards a hill with buildings. On the left, a man on a horseback riding towards a bridge over a river. In the background, mountains, and trees are visible.
3. A garden with a fountain and a palace in the background.
4. On the right, a man sitting under a tree and, in the background, mountains, trees, and buildings are visible.

It is difficult to show a direct reference between the landscapes and the narrative of the Book of Esther, although such a connection cannot be excluded either (e.g. two men in the second landscape can be the king's messengers and a man sitting under the tree in the fourth landscape can be Mordecai).

The scrolls with landscapes are lavishly decorated megillot produced in a mixed technique in which decorative border is printed as a copper engraving (and in some exemplars, colored by hand), whereas the Hebrew text of the Book of Esther is penned by a scribe. All of them begin with a panel composed of several figurative scenes from the Book of Esther narrative. The text columns are interspaced by herms decorated with reliefs, elaborate acanthus leaves and garlands above which are either decorative capitals or putti holding baskets with flowers on their heads. Lower margins are filled with the figurative scenes that chronicle the Purim story, allude to midrashim or other sources; they are interspersed by vases with plants. This type of megillot is known in two variants marked "I" and "II" (see "Additional Remarks").

Similar narrative scenes are included in the scrolls with "portrait medallions" (see their descriptions in the Index); some of them are their mirror image.

Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

Formerly in the collection of the Bibliotheca Rosenthaliana in Amsterdam (Ros 537). The current location of the manuscript is unknown.

There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative herms, the pedestals with angel's heads and bases were added, therefore, the text panels are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.  

The earliest scroll sharing similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).

16 image(s)

Name/Title
Esther Scroll with Landscapes I from an Unknown Collection (2) | Unknown
Object Detail
Monument Setting
Unknown
Date
early 18th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown
Origin
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Scrolls with landscapes|
{"214":"The family of Dutch Esther scrolls from the early 18th century designed by an anonymous engraver whose decorative scheme is characterized by four different landscapes framed in cartouches of different shapes that fill upper margins. The scrolls of this family begin with a panel composed of several figurative scenes from the Book of Esther narrative. The text columns are interspaced by the columns decorated with reliefs, elaborate acanthus leaves and garlands above which are either decorative capitals or putti holding the baskets with flowers on their heads. Lower margins are filled with the figurative scenes that chronicle the Purim story or allude to midrashim and other sources; they are interspersed by vases with plants. The same decoration repeats on all four sheets forming each manuscript. Some of their exemplars are painted by hand. "}
Period
Unknown
Period Detail
Collection
Unknown |
Documentation / Research project
Unknown
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
Material/Technique
Ink on parchment (the text copied by hand, printed border)
Material Stucture
Material Decoration
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Material Cloth
Material Lining
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Documented by CJA
Surveyed by CJA
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Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Book of Esther in Hebrew with initial benedictions
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
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Blank Leaves
Direction/Location
Façade (main)
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Location of Torah Ark
Location of Apse
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Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
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None
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The following information on this monument will be completed:
Unknown |

In cooperation with
Research Platform Religion and Transformation in Contemporary Society

With the support of
Municipality of Vienna, Cultural Affairs and Science
and

Cardinal Schönborn, Archbishop of Vienna