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Obj. ID: 38879  Rinat dodim by Eliyahu ben Moshe Loanz, Basel, 1600

© Gross Family Collection, Photographer: Unknown,

2 image(s)

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Name/Title
Rinat dodim by Eliyahu ben Moshe Loanz | Unknown
Object Detail
Date
1600
Synagogue active dates
Reconstruction dates
Artist/ Maker
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.1782
Material/Technique
Paper, Ink, Letterpress
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
20.5 cm
Length
Width
15.3 cm
Depth
1 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross: A kabbalistic commentary on the Song of Songs by R. Elijah b. Moses Ashkenazi Loanz, and one of Konrad Waldkirch’s earliest Hebrew printings. In the text are small faces between some words.
R. Loanz was the scion of a family that traced its descent to Rashi, and a paternal grandson of R. Joseph Joselmann of Rosheim. He had a distinguished career as rabbi and Rosh Yeshiva in a number of communities in Germany, including Fulda, Hanau, Friedberg and Worms. A kabbalist of repute, Loanz wrote amulets, is credited with many miracles, and is the subject of legends, among them that he made a golem so that he acquired the epithet Elijah Ba’al Shem. He also engaged in disputations with prominent Christian clergymen.
Rinat Dodim has considerable kabbalistic content and emphasizes ethical and piestistic behavior. In one part is mentioned looking with one eye. The text is thus illustrated with gazing faces with only one eye. The title page has a typographic floral border and decorative floral motif.
This is the only edition of Rinat Dodim, and is one of only two books written by Loanz, a prolific writer, that was printed in his lifetime.

Konrad Waldkirch, a Basle printer, began publishing Hebrew books in c. 1581. He was the son-in-law of Pietro Perna, a printer of repute. Waldkirch acquired Ambrosius Froben’s Hebrew typographic material, including illustrations by Hans Holbein, and issued a variety of Hebrew titles during his c. 30 years of activity. His press was active until 1612.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
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