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Obj. ID: 38835  Pirkei Shirah by Yitzhak ben Meir, Venice, 1664

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Pirkei Shirah by Yitzhak ben Meir | Unknown
Object
Object Detail
Date
1664
Synagogue active dates
Reconstruction dates
Origin
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.1741
Material/Technique
Paper, Ink, Letterpress, Woodcut, Stamped
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
20 cm
Length
Width
14.5 cm
Depth
2.2 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

This is an ancient mystical text, composed in verses sung by the heavens and earth and all the creatures in praise of the Creator, attributed to King David. Architectural title page with Moses and King Solomon.
Perkei Shirah (Perek Shirah) is comprised of 70 songs based on biblical verses, organized into six chapters. Its inclusion as part of the liturgy was initially restricted to Jewish mystics, particularly in Tzfat, and only later, through their influence, became more widely accepted as part of daily prayers. In this edition the text is accompanied by the commentaries Siah Yitzhak and Sha’ar Shimeon.
Decorative title page with tablets of the law at the top, supported by angels. Moses and King Solomon stand in niches below. Cartouche with 3 lion heads at bottom center (Bragadin emblem?). For a nearly-identical title page, which shows the figure of King Solomon instead of Aaron, see B.813 (Venice, Bragadin, 1674), and B.819 (Venice, Bragadin, 1675).
The Bragadin press was established in Venice in 1550 by Alvise Bragadin. This press continued as one of Venice’s leading Hebrew print-shops, issuing Hebrew titles in the 18th C under several generations of Bragadins (the last of whom was Alvise III). In the last decades of the The Seventeenth Century Hebrew Book, when this book was published, only the family name, Bragadin, or Nella Stamparia Bragadina appears on the title pages. Throughout the years, the output of the Bragadini press was considerable, and covered the gamut of Hebrew works. The press was somewhat unusual, however, in that the Bragadins themselves did not always take an active role in their printing-house, leaving its operation to other printers, and lending their name to other presses.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
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