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Obj. ID: 38675  Chamishah Chumshei Torah Hebraicus Pentateuchus, Venice, 1551

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Chamishah Chumshei Torah Hebraicus Pentateuchus | Unknown
Object
Object Detail
Date
1551
Synagogue active dates
Reconstruction dates
Origin
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.1585
Material/Technique
Paper, Ink, Letterpress, Woodcut
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
21.1 cm
Length
Width
17.2 cm
Depth
5.5 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

One of the Hebrew presses in Italy was that of a wealthy and powerful Christian gentleman in Venice, Marco Antonio Giustiniani. He began printing important books in 1545, but ultimately published Hebrew books for only 7 years. His real importance for the history of Hebrew printing was his extremely intense rivalry with the Hebrew printing house of Alvise Bragadini. This personal competition of the two printers ultimately led to the papal decree of 1553 instructing the burning of all existing editions of the Talmud. Thousands of Hebrew books were burned in the public squares of Italian cities, bringing a disaster of severe proportions on the Jews of Italy. Hebrew printing was not resumed in Venice until 1563. This volume has a title page decorated with an illustration of the Dome of the Rock, marked in Hebrew "The Temple". This illustration served as the printers’ mark of the Giustiniani printing house. The use of the image of the Moslem monument , erected on the Temple Mount, to symbolize the holiest of Jewish sites was a regular feature of illustration in Hebrew printing from this time onwards for more than 300 years. The book, by Jacob ben Yehudah Landau of 15th century Germany and Italy, discusses aspects of medieval religious laws and customs.
Latin title page with ornate architectural frame.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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Language Editor
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