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Obj. ID: 37909  Zikaron be-Yerushalaim by Yehudah Poliastro, Jerusalem, 1880

© Gross Family Collection, Photographer: Unknown,

8 image(s)

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Name/Title
Zikaron be-Yerushalaim by Yehudah Poliastro | Unknown
Object Detail
Date
1880
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.1065
Material/Technique
Paper, Ink, Letterpress, Woodcut
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
15.7 cm
Length
Width
10.7 cm
Depth
0.7 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

As can be seen starting in the 16th century, the most oft-used symbol of Jerusalem in Hebrew printing was the Temple Mount as represented by the Dome of the Rock. In this interesting book, first published in Istanbul in 1742 the image of the Western Wall - the Kotel - appears for the first time in Hebrew printing. The book was published two more times in the 18th century in Fuerth and Amsterdam and yet again in Jerusalem in the 19th. This example is that 19th century Jerusalem print. Only from the middle of the 19th century did the Kotel begin to appear as a symbol of Jerusalem, along with the continued use of the Dome of the Rock until the 1920's. Finally the use of the Kotel replaced completely the use of the image of the Dome of the Rock for Jewish purposes, often evolving into quite elaborate images. But the beginning of this most popular image today is rooted in the simple woodcuts shown in these three 18th century books. The text of the book concerns special prayers to be recited at the Holy Places in Eretz Israel.

This fourth edition, after Kushta, Amsterdam and Fuerth. contains many more illustrations and by more modern techniques than the previous woodcuts that were used in the first three editions.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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