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Obj. ID: 37623  Ma'aseh Chiyya by Chiya Rofe, Venice, 1652

© Gross Family Collection, Photographer: Unknown,

3 image(s)

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Name/Title
Ma'aseh Chiyya by Chiya Rofe | Unknown
Object
Object Detail
Date
1652
Synagogue active dates
Reconstruction dates
Origin
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.858
Material/Technique
Paper, Ink, Letterpress, Woodcut, signature
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
21.7 cm
Length
Width
16 cm
Depth
2.5 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

First edition of the novellae and responsa of R. Hiyya Rofe (c. 1550–1618). Little is known of R. Hiyya’s background, including his father’s name. It is known, however, that he was born in Sefad, studied in the yeshivah of R. Solomon Sagis, and counted among his teachers R. Tuvia ha-Levi, R. Joseph di Trani (Maharit), and R. Abraham Shalom; he was instructed in Kabbalah by R. Hayyim Vital. R. Hiyyah was one of the small group ordained by R. Jacob Berab. He served as a young age as a dayyan in the bet din of R. Moses Galante and afterwards resided at various times in Jerusalem and Tiberius, founding a yehsivah in the latter location. Hiyya eventually returned to Safed, his final residence. He was the author of numerous responsa, almost all lost, and novellae, included in this work brought to press by his son R. Meir Rofe.
Monumental architectural title page, containing in Latin the name of the press, Presso Giovanni Imberti, and the Con licenza de’ Superiori of the censor. Additonal ornamentation surrounds the header of Berakhot. Imberti's pressmark appears between the novellae and responsa: a bird perched on three rocks, flanked by the initials GI (Giovanni Imberti).
The Vendramin Hebrew press was established in 1630 by Giovanni Vendramin, who thereby broke the monopoly enjoyed by the Bragadin family in Venice. The press eventually joined with that of Bragadin, however, and the combined presses continued to operate well into the 18th C.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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