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Obj. ID: 37508  Shirat Dodi by Avraham Samuel, Venice, 1719

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Shirat Dodi by Avraham Samuel | Unknown
Object Detail
Date
1719
Synagogue active dates
Reconstruction dates
Artist/ Maker
Origin
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.835
Material/Technique
Paper, Ink, Letterpress, Woodcut
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
16.3 cm
Length
Width
11 cm
Depth
0.7 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

Talmudist, preacher, and liturgical poet; flourished about the middle of the sixteenth century. He was a pupil of Abraham Motal, rabbi of Salonica, and later became teacher and preacher at Istib (Rumelia). He died childless about the year 1650. In order to prevent his name from falling into oblivion, Nissim ben Moses Cohen of Venice published, in 1719, a part of his manuscripts under the title, "Shirat Dodi" (The Song of My Friend), a versification of the halakot contained in Mishnah Shabbat. As poetry it has no value whatsoever, as might have been expected, considering the dry legal matter he had to handle.
In 1550 Alvise Bragadin established a Hebrew press in Venice, thus ending a brief monopoly in Hebrew printing in Venice enjoyed by Guistiani (after the closing of the Bomberg press). This press continued as one of Venice’s leading Hebrew print-shops, issuing Hebrew titles in the 18th C under several generations of Bragadins (the last of whom was Alvise III). Throughout the years, the output of the Bragadini press was considerable, and covered the gamut of Hebrew works. The press was somewhat unusual, however, in that the Bragadins themselves did not always take an active role in their printing-house, leaving its operation to other printers, and lending their name to other presses.
Only edition of this unusual attractive versified work on the halakhot in Mishnayot of tractate Shabbat by R. Abraham Samuel of Venice. At the end of the book is a pizmon le-Shabbat. Shirat Dodi has several attractive head and tail-pieces R. Abraham Samuel of Venice was a Talmudist, preacher, and liturgical poet. He flourished about the middle of the sixteenth century. He was a pupil of R. Abraham Motal, rabbi of Salonica, and later became teacher and preacher at Istib (Rumelia). He died childless about the year 1650. In order to prevent his name from falling into oblivion, R. Nissim ben Moses Cohen of Venice published, in 1719, a part of his manuscripts under the title, "Shirat Dodi" (The Song of My Friend), a versification of the halakot contained in Mishnah Shabbat. As poetry it has no value whatsoever, as might have been expected, considering the dry legal matter he had to handle. The authorship of the תוכחות, printed in the "Nagid u-Meẓawweh," p. 22 (Amsterdam, 1712), can not be ascribed to him. Inasmuch as the memorial formula זצ"ל is omitted after his name, the author of the tokaḥot must have lived after 1712, whereas Abraham Samuel died about 1650. The writer of these tokaḥot is called Abraham ben Samuel, and not Abraham Samuel.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Full Name
Volume
Page
Type
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