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Obj. ID: 37217  Torah shield, Warsaw, 1864

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

3 image(s)

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Name/Title
Torah shield | Unknown
Object
Object Detail
Date
1864
Synagogue active dates
Reconstruction dates
Artist/ Maker
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
051.001.055
Material/Technique
Silver, Repousse, Cast
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 31.5 cm, Width: 25.6 cm, Depth: 4 cm Weight: 1100 g
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

Breastplates – ornamental metal plates or shields hung in front of the Torah scroll – are found in all Ashkenazi communities, as well as Italy and Turkey, but designed differently in each community. In most cases the breastplate is made of silver or silver-plated metal. In Italy the breastplate is shaped like a half-coronet and known as the keter, "crown." In Turkey, the breastplate is called a tass, and assumes a variety of shapes – circular, triangular, oval, or even the Star of David. In Western, Central, and Eastern Europe the breastplate is called either tass or tzitz; its function there is not merely ornamental: it designates which Torah scroll is to be used for the Torah reading on any particular occasion, with interchangeable plaques. The most notable early breastplates, from 17th-century Germany and Holland, were either square or rectangular, but over time they became rounded and decorative, and bells or small dedicatory plaques were suspended from its lower edge. During this period, the design of breastplates was influenced by that of the Torah Ark and the *parokhet (curtain) concealing it, featuring various architectural motifs, the *menorah (the seven-branched candelabrum), Moses and Aaron, lions, or Torah crowns.

This is one of a series of similar Tassim produced by several silversmiths in the last half of the 19th century in Warsaw. They are quite elaborate, using some elements that appear in breastplates from Galicia some 100 years prior. The date, 1864, is really in the first decade and a half of the production of Jewish ritual art in Warsaw. A group of Jewish artisans worked in that city during the last half of the 19th century. Reiner was one of them and one of the first.

Inscription: Abbreviations for the Ten Commandments on the Tablets of the Law

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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