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Obj. ID: 37088  Amulet, Iraq, circa 1925

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

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Name/Title
Amulet | Unknown
Object
Object Detail
Date
circa 1925
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Iraq
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Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
027.021.130
Material/Technique
Gold, Wood, Ceramic, Stone, Cut, Engraved,Turned, Set,
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 6 cm, Width: 3.8 cm, Depth: 1.1 cm Weight: g
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
H | Hamsa
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Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

From earliest times, man has tried to protect himself from misfortune by the use of objects which he considered holy or otherwise (e.g., magically) potent. Amulets and talismans are items generally worn around the neck or wrist, carried in a pocket or purse or hung on a wall. They are meant to protect or aid those who carried or wore them. The Hebrew word for amulet, kame‘a, has the root meaning "to bind". Jewish amulets are usually comprised of texts (either letters or graphic symbols) that are inscribed on some sort of material; some may also contain plant matter or precious stones. The texts of amulets usually include holy names that are believed to have the ability to affect reality, along with incantations summoning angels or other magical powers. For the most part, an amulet has a specific purpose: to ease childbirth, facilitate recovery from illness, improve one’s livelihood, and so on, but in the modern world many are also made for general protection.

This is a special Iraqi amulet composed to two popular types, generally attached to a new child's garment to provide amuletic protection. One is called an "Afsa". Authentic amulets from Iraq, as is this one, are quite rare. Attached and hanging from it is a gold hamsa, in the middle of which is a set blue stone representing the eye, which is itself an antidote against the evil eye. Such blue stones are also set into the two ends of the gold strap encased wood. The shaped wooden core is wrapped in a thin gold strip woven into a container. This example is slightly smaller than the norm.

The other element, that on the top, is called This is a special Iraqi amulet to provide amuletic protection. This form was called "Saba iyun", or "Seven Eyes". . It carries a blue ceramic circle with seven holes. At least two other amulets of this type are on amuletic necklaces in the Gross Family Collection. Auhentic amulets from Iraq, as is this one, are quite rare. Attached to the gold piece holding the ceramic are two tear drop shaped and one hamsa shaped gold sheet cutouts. In the center of each of the three is set a small blue stone. The blue color of the stone affords protection as does its round shape, representing the eye which is itself an antidote for the evil eye.

The hamsa (five, as in five fingers) is an amulet shaped like a hand. The hamsa is arguably the most popular form of amulet against the Evil Eye and is used in a large number of countries. Probably originating in Moslem Spain of the 12th or 13th century, it crossed the sea to Morocco and spread across North Africa to the Middle and Far East.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Full Name
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Page
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Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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