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Obj. ID: 36921  Amulet, Iran, circa 1920

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

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Name/Title
Amulet | Unknown
Object
Object Detail
Date
circa 1920
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Iran
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Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
027.021.027
Material/Technique
Gold, Green Stone, Punched, Chased, Set
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 7.1 cm, Width: 3.8 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

From earliest times, man has tried to protect himself from misfortune by the use of objects which he considered holy or otherwise (e.g., magically) potent. Amulets and talismans are items generally worn around the neck or wrist, carried in a pocket or purse or hung on a wall. They are meant to protect or aid those who carried or wore them. The Hebrew word for amulet, kame‘a, has the root meaning "to bind". Jewish amulets are usually comprised of texts (either letters or graphic symbols) that are inscribed on some sort of material; some may also contain plant matter or precious stones. The texts of amulets usually include holy names that are believed to have the ability to affect reality, along with incantations summoning angels or other magical powers. For the most part, an amulet has a specific purpose: to ease childbirth, facilitate recovery from illness, improve one’s livelihood, and so on, but in the modern world many are also made for general protection.

There are more surviving silver amulets from Iran than from any other area. Many different distinctive groups of talismans exist from Iran. This is an example of the group known as Shiviti amulets, as the central theme is the menorah containing the words of the 67th Psalm, a symbol that is the hallmark of the Shiviti. In this tradition the reading of this Psalm in the form of a menorah ehnaced the meaning and strenth of the words and therefore the power of the maulet. Around the rim is another inscription of the initials forming the 42 letter name of God, the letters being the first letter of each of the 42 words in the prayer "Ana ba-Koach". This is a particular and interesting type of Iranian amulet and this one is distinguished by very fine workmanship in the engraving, the letters and designes being filled with niello. The design would indicate that it was most likely engraved by the same silversmith as Gross Family Collection 027.001.205. Sometimes there are additional inscriptions and/or inscribed figures on the back of the amulet, which was meant to be worn on a necklace.

Iranian amulets in the shiviti form are not unusual, but to find that pattern done in gold with a set stone is very rare.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Volume
Page
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Architectural Drawings
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Computer Reconsdivuction
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