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Obj. ID: 35811  Kiddush Cup, Jerusalem, circa 1935

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

3 image(s)

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Name/Title
Kiddush Cup | Unknown
Object
Object Detail
Date
circa 1935
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Period
Period Detail
Gross Family Collection No.
017.001.099
Material/Technique
Silver, Formed, Repousse, Engraved
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 7.6 cm, Diameter: 6 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

There exist very few silver Judaica objects in the style of Art Deco. Of that which is known, most are of German origin. Of the few makers known, one of the major artists working after 1925 was Bernhard Friedlaender of Dusseldorf. While very few of the objects he created have survived the Holocaust, there are many pictures of objects by him in the archives of the pre-war Jewish Museum of Berlin. These images are now held at the ZIH in Warsaw. Friedlaender emigrated to Palestine at some point in the 1930's where he continued to work in silver during the remainder of that decade. This cup was fashioned by him during this period and is made in a simple yet elegant modern style. His work is very much in concert with that of two other German emigres to Palestine, Ludwig Wolpert and Gumpel. Apparently, because of a lack of customers for more expensive silver objects, Friedlaender began to work in silver-plated brass and signed by him. He then apparently purchased the firm of "Michsaf", which produced such silver-plated brass objects according to his designs. Objects from all these periods exist in the Gross Family Collection.

Inscription: Lichvod Shabbat ve-Yom Tov

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Full Name
Volume
Page
Type
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