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Obj. ID: 35555  Besomim, Jerusalem, 1950

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

3 image(s)

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Name/Title
Besomim | Unknown
Object Detail
Date
1950
Synagogue active dates
Reconstruction dates
Artist/ Maker
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
015.001.068
Material/Technique
Silver, Pierced, Formed, Repousse, Polished
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 16 cm, Width: 6.3 cm Weight: 119 g
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Radad; Made in Israel; 925
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

In Jewish tradition, the end of the Sabbath and other Jewish Holidays is marked by the ceremony of Havdalah (Separation) that differentiates between the Holy nature of the holiday and the profane nature of the following day. This ritual is accomplished by lighting a special candle with several wicks, drinking wine from a cup, and the inhalation of the sweet smell of spices. In the Ashkenazi world, these spices were usually held in a container which was often shaped in varying forms.

There exists very little Judaica in the art deco style. Much of what is known is of the german origin or by the German artists and designers who left Germany for Eretz Israel in the 30's. This cup is by someone with the name of Radad in that tradition, the work of whom is known is several examples apparently from the late 1940's and early 1950's. The main body of this work is formed of repetitive Magen David forms in pierced silver. Inscription: Borei Minei Besomim

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
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Researcher
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Architectural Drawings
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