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Obj. ID: 35545  Eshlei Ravrevei by Yosef ben Ephraim Karo, Amsterdam, 1711

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Eshlei Ravrevei by Yosef ben Ephraim Karo | Unknown
Object
Object Detail
Date
1711
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.246
Material/Technique
Paper, Ink, Letterpress, Engraving
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Material Decoration
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Material Cloth
Material Lining
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Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

The Eshlei Ravrevei is a text of Shulchan Aruch'st Yoreh Deah (the part related to ritual law) by Yosef Karo, with commentaries customarily included therein, including Turei Zahav, Siftei Kohen, and Beer ha-Golah. Yoreh Deah was published earlier as Eshlei Ravrevei in Wilhelmsdorf in 1677 and 1686 , without Moses Rivkes' commentary, but with HaRav Isserles comments, presenting alternative determinations in the spirit of the Ashkenazic tradition.
The edition has a beautiful engraved title page by the artist.Avraham bar Ya'akov, the same artist who rendered the groudbreaking illustrations for the 1695 Amsterdam Haggadah.
The frontispiece shows Moses, Aaron, David and Solomon sitting. The symbolize in turn the crown of Torah, priesthood and kingdom and the "crown of a good name that is superior to all these" (Pirkei Avot 4:17). The cooperplate was used earlier at least once by Immanuel Athias in Shnei Luchot ha-Brit, published in 1698. The same artist, Avraham bar Ya'akov, created both the famous illustrations for the Amsterdam Haggadah, as well as the frontispiece for the Yiddish Bible published at the Uri Phoebus press in 1679. He is commonly considered to be a convert from the Rhine area, who reconverted to Judaism only in Amsterdam.
This title page was also used on the later edition of Eshlei Ravrevei from Amsterdam, 1743, also in the Gross Family Collection (B.263).
The press set up by Solomon Proops became the most famous of all the presses operating in Amsterdam in the 18th century, apart from the Menasseh ben Israel press. Solomon's father Joseph came to Amsterdam from Poznan. Solomon Proops was initially involved in the bookselling trade, and in 1677 was admitted to the Amsterdam Guild of Booksellers, Printers and Bookbinders. In 1704 he set up his own press, which was to become the longest operating and most productive of all the Jewish presses in Europe in the 18th C. He acquired the fame of a printer who produced beautiful books that could be bought at a reasonable price.

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Contents
Codicology
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Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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