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Obj. ID: 35536  Masechet Sota, Amsterdam, 1647

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Masechet Sota | Unknown
Object Detail
Date
1647
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.237
Material/Technique
Paper, Ink,Letterpress, Woodcut
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Material Decoration
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Material Cloth
Material Lining
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Documented by CJA
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Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
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Description

This text was prepared by William Gross:

Part of the extensive series of tractates for the Babylonian Talmud printed in Amsterdam in the first years of printing activity for that city in the decade of the 1640's. Title “Masechet Sota” in decorative, individually-framed, letters. Benveniste printer's emblem at bottom.
Immanuel Benveniste (also known as Manuel Benveniste) (Venice 1608 - Amsterdam c.1660) was an Italian Jewish printer in Amsterdam who printed many Hebrew works, including an edition of the Talmud from 1644-48. He was one of a number of notable Portuguese Jewish printers at Amsterdam in the seventeenth century, including Manasseh ben Israel, David de Castro Tartas, and Joseph and Immanuel Athias. Benveniste also published the sermons of Saul Levi Morteira in 1652.
Benveniste’s printer’s device (which may have been the family escutcheon), seen at the top of this book's title page, shows an upright lion facing a tower with a star above. Apparently, later printers often “borrowed” this mark for various reasons. The first to do so were Ben Judah ben Mordecai of Posen and Samuel ben Moses ha-Levi Ashkenazi , printers who had previously worked for Benveniste. In their case, Benveniste presumably allowed them to use the mark, perhaps as a show of support for his former employees.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
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