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© Gross Family Collection, Photographer: Unknown, , Negative/Photo. No. Gross_YM.011.055Y.jpg.
Name/Title
Midrash Nur Eltzalem [Ma’Or HaAfela] | Unknown
Object Detail
Date
before 1500
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
YM.011.055
Category
Material/Technique
Paper, Ink, Paint, Written, Painted
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 28.2 cm, Width: 21.5 cm, Depth: 2.7 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

Manuscript, Midrash Nur Eltzalem [Ma’Or HaAfela], by Rabbi Netanel Ben Yishaya.

Rabbi Netanel ben Yishaya, among the first great scholars of Yemen, who lived during the first half of the 14th century, authored the Ma’or HaAfela composition in 1329. This Talmudic legend was originally written in Jewish Arabic and was one of the basic books on Judaism in Yemen. The author integrated philosophical and Kabbalistic concepts with literal and homiletic commentaries and explanations, according to the order of the weekly Torah portions.

Ancient Yemenite writing on quality paper.  The most extraordinary feature of these pages is the decoration using images, done in red ink, which include illustrations of the borders of the holy land, the temple menorah, and a truly outstanding image of the ark of the covenant with the cherubim, which are presented as human figures with wings. The use of human figures in Yemenite manuscripts is exceedingly rare. The Islamic culture of the area had strong proscriptions against such depictions and decoration was most normally geometric.

This manuscript is one of the most ancient forms of the composition. Yemen, 15th century.   Pages: 163

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
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Architectural Drawings
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Computer Reconsdivuction
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