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© Gross Family Collection, Photographer: ,Bar Hama, Ardon, , Negative/Photo. No. Gross_027.011.112O.
Name/Title
Mazal Tov Siman Tov | Unknown
Object Detail
Date
circa 1700
Synagogue active dates
Reconstruction dates
Artist/ Maker
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
027.011.112
Category
Material/Technique
Paper, Ink, Etching
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 17.5 cm, With: 20.9 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

This elaborately etched amulet was created by Avraham bar Yaakov, the convert to Judaism who also did the copper engravings for the famous 1695 edition of the Amsterdam haggadah, shown elsewhere in this exhibition, and other title-pages for hebrew books. It is a birth amulet and is one of the very few such amulets known today produced by copper engraving. It is also the earliest recorded printed Hebrew amulet. The engraving contains illustrations copied from the Swiss artist Mattheus Merian's etchings for the bible, first published in 1625-1630. There are scenes of Adam and Eve, Abraham and the three angels, Isaac blessing Jacob, a circumcision ceremony, David playing the harp and Joseph with the sun, moon, and nine stars. There are but a handful of copies of this amulet still extant, as it fits all the characteristics of ephemera, short-lived objects that were most often discarded. Most of the Hebrew inscriptions are either amuletic or descriptive in nature and include the "shir le-ma'alot" prayer and the names of the three angels, Sanoi, Sansanoi and Samgelaf, who are called upon to protect the mother and child from lilith. It is also rare to have the signature of the artist on an amulet as on this one. This example is not specific to only a male or female child, but intended for children of both sexes. While there is a circumcision scene there is also a representation of Eve in the Garden of eden.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Page
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