Home
   Under Construction!
Object Alone

Obj. ID: 48924  Papercut, Istanbul (Constantinople), 1892

© Gross Family Collection, Photographer: Unknown, -

1 image(s)

sub-set tree:

Name/Title
| Unknown
Object
Object Detail
Date
1892
Synagogue active dates
Reconstruction dates
Artist/ Maker
Joseph Abulafia
(Unknown)
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
036.011.005
Material/Technique
Paper, Ink, Metal Foil, Cut, Written
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 10 cm, Width: 16 cm Matted Matted: 42.5 cm H X 30 cm W
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

Papercuts were not a common item in the Ottoman Empire.  The rarity of such items is great and their beauty quite special.  This example, backed by gold paper, is signed by a man who made several other papercuts which are today in the Israel museum.  His name is joseph Abulafia, from the city of Istanbul, and his story is told in the catalogue from the Israel museum, "Jews of the ottoman empire". The symbols include the menorah, inscribed with the 67the psalm, as on many Shiviti plaques, the crown and the tablets of the law. The use of his papercuts was primarily in the synagogue and the story that accompanied this piece told of its use in a synagogue in Tiberius.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
|
Researcher
William Gross |
Architectural Drawings
|
Computer Reconsdivuction
|
Section Head
|
Language Editor
|
Donor
|