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© Gross Family Collection, Photographer: Unknown, -, Negative/Photo. No. Gross_034.012.003.
Name/Title
Melitza u-Zekhirah le-Gvir u-Gvirah | Unknown
Object Detail
Date
1831
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
034.012.003
Category
Material/Technique
Parchment, Ink, Written, Decorated
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 38.5 cm, Width: 30.8 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

 

The Hebrew wedding poem, composed by friends and family of the bridal couple, was an integral part of this popular genre among both Christians and Jews in Italy of the 17th and 18th centuries. The form usually began with an honorific statement praising the bridal couple and their families and expressing good wishes. The central section was the poem itself, specially composed for the occasion. The form was often either sonnets or poems of multiple stanzas with regular allusions to and printing emphasis for the names of the couple. The last section was the salutation from and the signature of the author. While mostly found as printed documents, there are manuscript versions known as well. Both sorts exist in the Gross Family Collection.

                                         

THE CUSTOM OF MAKING WEDDING POEMS WITH RIDDLES WAS ORIGINALLY A SEPHARDIC CUSTOM IN ITALY AND IN AMSTERDAM.  AS THIS EXAMPLE SHOWS, BY THE 19TH CENTURY THE CUSTOM HAD EXTENDED TO THE ASCHKENAZI COMMUNITY AS WELL. THIS BEAUTIFULLY DESIGNED WEDDING POEM USES VERSES THAT HIGHLIGHT THE LETTERS OF THE COUPLES NAME AND HAS A BORDER OF DELICATELY RENDERED MICROGRAPHY IN GUILLOCHE FORM.

Groom:                             IItzik ben Moshe Leib de Vries

Bride:                                Bulah bat Ya'akov Haring

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
|
Researcher
William Gross |
Architectural Drawings
|
Computer Reconsdivuction
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Section Head
|
Language Editor
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Donor
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