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Obj. ID: 40984  Fibula, Tiznit, circa 1920

© Gross Family Collection, Photographer: Bar Hama, Ardon,

3 image(s)

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Name/Title
Fibula | Unknown
Object
Object Detail
Date
circa 1920
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
101.001.010
Material/Technique
Silver, Stone, Enamel, Cast, Fired
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height (as worn): 40 cm, Width: 5 cm, Depth: 2.1 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
H | House
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Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

In Morocco, most of the gold and silverwork that was carried out in ancient times in the production of jewellery was crafted by Jewish silversmiths. The artisans took refuge in Morocco after the Reconquista in Spain in 1492 and brought with them their skills in jewellery-making, using their own customs and traditions to build a trade which has served to enhance the reputation of Moroccan jewellery. While urban jewellery was predominantly made of gold, rural jewellery was always made of silver, and was almost exclusively crafted by men who succeeded their father in the profession from generation to generation. Techniques used included enamelling, engraving, filigree, niello and relief work, as well as the attachment of semi-precious stones such as amber, carnelian, coral and turquoise. Beads, which were once used as currency for trading purposes, were also frequently attached to necklaces, adding to their beauty and value. Old silver coins also added value to the piece.

This elaborate piece of jewelry was used for keeping the garments of women closed. Such closures were called fibulas. Such jewelry was made by Jewish silversmiths working in most sections of Morocco. The round enameled boxes at the top open up and probably were there to contain amulets. This sort of jewelry was used by both Jews and Arabs. The marvelously worked chain is an integral part of the beauty of and the impression made by this jewelry.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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