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Obj. ID: 37053  Tanach, Paris, 1539

© Gross Family Collection, Photographer: Unknown,

21 image(s)

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Name/Title
Tanach | Unknown
Object
Object Detail
Date
1539
Synagogue active dates
Reconstruction dates
Origin
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.724
Material/Technique
Paper, Ink, Letterpress, Woodcut, Signature
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

Editions of the Bible in Hebrew, published by non-Jewish printers, are a phenomenon known from the first century of printing. Such printers existed in several European countries, including France, where this edition was published by Robert Stephanus (Robert Estienne).
Stephanus was a son of the learned Calvinist Parisian printer Henry Estienne, who opened his printing-office around 1502. The son continued the family tradition of publishing classical texts which were examples of learning, innovating typography and commercial insight. Stephanus became the most eminent scholar-printer of his century for Christian and secular books, and was in 1539 appointed in royal printer of Hebrew and Latin texts by King Francois I.
Stephanus printed two Hebrew editions of the Bible: a large format edition (B.723), and a smaller octavo edition, seen here. This miniature version was rendered in a 16-volume set, the individual books of which could easily be carried in one's pocket.
Stephanus’ Bibles were textually based on the Venetian Bomberg Hebrew Bible (second edition, 1524-25), though with frequent deviations. Kimchi's commentary, which accompanies the Twelve Prophets, was edited by François Vatable, royal proFezsor of Hebrew literature at the University of Paris. The great appeal of this charming edition, however, which has been a favorite of collectors over the centuries, lies in its aesthetic rather than textual features.
The present volume is in pristine condition. The quality rag paper has maintained its whiteness and body throughout the centuries, and the ink remains solidly black. Clearly the book was never used, and may well have been a display piece. Indeed, opposite the title page one find the bookplate of an English aristocrat in whose library this volume once resided.
Each of the Bible’s parts has a separate title page in Hebrew and Latin bearing Stephanus’ printer’s mark: an olive tree representing the Tree of Knowledge.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Full Name
Volume
Page
Type
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