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© Center for Jewish Art, Photographer: Radovan, Zev, 1985, Negative/Photo. No. S403596.
Name/Title
Book binding | Unknown
Object
Object Detail
Date
circa 1850
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
025.001.001
Category
Material/Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
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Weight
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Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

The bindings of Jewish books are generally quite simple, but there does exist a tradition, probably among the wealthier section of the population, of binding books in special and elegant ways utilizing a variety of material.

Silver book bindings are one of the most elegant objects of Jewish ritual art. The form is generally copied from Catholic and Orthodox Christian tradition where prayer books were often covered with silver bindings in keeping with the other elegant silver pieces used in the prayer service. As in many other areas of life, Jews emulated some customs from what they saw of their Christian neighbors. Since such a binding was an expensive purchase for an individual, such silver pieces are fairly rare. Their appearance is most widespread in Italy, but examples also exist from Germany, Poland, Ukraine, Austria and even the Ottoman Empire.

More Jewish silver book bindings originate in Italy than in any other area. This is not unusual as many Italian Christian prayer books were covered with similar silver covers as well. A beautiful example of 19th-century silver work in Venice, this large silver binding has Jewish motifs on both sides. The general design is taken from an 18th-century textile pattern, an example of which can be found on a Parochet in the Prague Jewish Museum. This is a good example of how patterns were copied from one medium into another. In this case the delicate textile pattern was copied in pierced silver work, with the addition of the Jewish symbols of the Menorah and the Tablets of the Law.

The book within the binding is neither a rarity nor an expensive print.

Inscription: Ten Commandments

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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