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Obj. ID: 49085
Modern Jewish Art
  Abandoned Room Holocaust Memorial in Berlin, Germany, 1988-1996

© Samuel Gruber, Photographer: Gruber, Samuel D., 2016

Memorial Name

The Abandoned Room (Der verlassene Raum)

Who is Commemorated?

Victims of Kristallnacht

Description:

In a small urban park in the center of what was once a Jewish neighborhood, is a realistic sculpture that depicts a table and two chairs seemingly set on a parquet floor. One chair is by the table, while the other is knocked over and lies on the floor on the other side. All the elements appear cast from actual wood pieces and present an intense sense of reality. The impression is that this room was abandoned in a hurry.

Around the edge of the “floor” are inscribed lines from a poem by Nobel Prize winner Nelly Sachs, from her poem “O die Schornsteine” (“O the Chimneys”), published in 1947, which evokes the crematoria of the Death Camps. 

Inscriptions

German

…O die Wohnungen des Todes, 
Einladend hergerichtet 
Für den Wirt des Hauses, der sonst Gast war- 
O ihr Finger 
Die Eingangsschwelle legend 
Wie ein Messer zwischen Leben und Tod –
O ihr Schornsteine, 
O ihr Finger, 
Und Israels Leib im Rauch durch die Luft! – Nelly Sachs

Translation: …Oh the houses of death / invitingly appointed / or the landlord of the house who was once a guest / Oh you fingers, / Laying the threshold / like a knife between life and death / Oh, you chimney stacks, / Oh you fingers, / And the body of Israel going up in smoke!  Nelly Sachs

Commissioned By

[To be added]

Summary and Remarks
Remarks

27 image(s)

sub-set tree:

Name/Title
Abandoned Room Holocaust Memorial in Berlin, Germany | Unknown
Object Detail
Monument Setting
Date
1988-1996
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Germany | Berlin (Bundesland) | Berlin
| Koppenplatz, 10115 Berlin
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Unknown |
Documentation / Research project
Unknown
Iconographical Subject
C | Chair
T | Table
|
Textual Content
Languages of inscription
Material / Technique
Bronze
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Suggested Reconsdivuction
History/Provenance

In the late 1980s, the GDR began to commemorate the fate of its German Jews. In 1988, the same year restoration work started on the nearby Neue (New) Synagogue, plans were begun for a memorial to the victims of the Kristallnacht pogrom. In 1989, a competition was held, and Karl Biedermann and Eva Butzmann won it. There were delays in the project’s completion during the reunification period, and The Abandoned Room was completed in 1996.

The sculpture is intended to evoke a sense of surprise, urgency, and loss. Th view is left to imagine if the occupants of the room fled in haste, and if so, what was their fate, or if they were suddenly seized by Nazi police, and taken to a concentration camp, or even to their deaths.

Main Surveys & Excavations
Sources

Di Bella, Maria Pia. "Walking Memory: Berlin's 'Holocaust Trail'." Journeys, vol. 13, no. 2, Dec. 2012, pp. 55+. Gale Literature Resource Center,, link.gale.com/apps/doc/A317469046/LitRC?u=anon~1e686315&sid=googleScholar&xid=fd5ce0ee (accessed May 3, 2023)

Pearson, Joseph. “The Deserted Room,” The Needle, September 29, 2018, https://needleberlin.com/2018/09/23/the-deserted-room/ (accessed May 3, 2023)
Type
Documenter
Samuel Gruber | 2016
Author of description
Samuel Gruber | 2023
Architectural Drawings
|
Computer Reconstruction
|
Section Head
|
Language Editor
Adam Frisch | 2023
Donor
|
Negative/Photo. No.
The following information on this monument will be completed: