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Obj. ID: 23663
Sacred and Ritual Objects
  Sabbath lamp, Afghanistan, First half of the 20th century

© Center for Jewish Art, Photographer: Unknown,
Summary and Remarks
Remarks

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Name/Title
Sabbath lamp | Unknown
Object Detail
Monument Setting
Unknown
Date
First half of the 20th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown
Origin
Historical Origin
Unknown
Community type
Congregation
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Location
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Site
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School/Style
Unknown|
Period
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Period Detail
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Languages of inscription
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Unknown
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Extant
Documented by CJA
Surveyed by CJA
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Present Usage Details
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Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
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History/Provenance
As everywhere in the Jewish world, the Sabbath is introduced by the kindling of lights. According to a tradition known to us from Talmudic times, an oil lamp was lit. The early Persian oil lamps, and the more recent lamps used for lighting homes in this region of the Orient, generally consisted of a vessel made of clay, glass, or metal within which the wick floated in the oil.
 
A typical Afghan Sabbath lamp is a concave silver vessel with decorated borders, mounted on a shaft that stands in the center of a three or four-legged flat base with raised borders. Protruding from the front of the vessel are two spouts, alluding to the double invocation of the commandment: "Remember the Sabbath day. to keep it holy" (Ex. 20:8) and "Keep the Sabbath day to sanctify it" (Deut. 5:12). Similar Sabbath lamps were still in use at the beginning of the twentieth century.
 
Later, two separate vessels replaced the two spouts, and each wick burned in its separate container. Eventually, a pair of candle holders, intended for wax candles, were added, one on each side of the base.
 
According to tradition, the women of the Afghan community took great pains to spin the wicks out of cotton or linen, making sure that the number of threads in the wick corresponded to the number of men reading from the Torah on that particular holy day. Thus, on the Sabbath the wick was twisted out of seven threads, on Yom Kippur - six, on other festivals - five, and on intermediate days (Hol Hamo'ed) and New Moon (Rosh Hodesh) the wick consisted of four threads.
Main Surveys & Excavations
Sources

Hanegbi, Zohar and Bracha Yaniv, Afghanistan : the synagogue and the Jewish home (Jerusalem: Center for Jewish Art, 1991), pp. 28-29, 143-144.
Type
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Computer Reconstruction
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Negative/Photo. No.
The following information on this monument will be completed:
Unknown |