Img. ID: 251928
In the upper margin, a bust of a bearded man with a flat cap on the head (Mordecai?) and a bust of a man in a long curly wig and tricorn hat on it (one of the princes of Media and Persia listed in Es. 1:14?, one of the servants?) are depicted. In the lower margin, there are two frames:
Frame 4: In the frame, a wedding ceremony of Ahasuerus and Esther is represented. The scene is witnessed by a group of men standing on the left and a group of women standing on the right. The Book of Esther does not mention this episode and the source for this representation remains unknown. It can be influenced by European paintings in which the scene of the marriage of the Virgin Mary and Josef was similarly composed. This can also explain the dress of a man standing in the center that refers to the high priest's robes. The same theme, although illustrated in a slightly different way, can be found in the "Esther scrolls with landscapes" and their copies made by hand, as well as in the scrolls designed by Marcus Donath (Mordecai ben Jozl Sofer) of Nitra (see their descriptions in the Index).
Frame 5: On the left, a man with a bow in his hands is depicted; he is aiming at the wheel with the signs of Zodiac on its perimeter (on the right). The scene is shown against the landscape. The depiction symbolically shows the moment of casting lots by Haman (alludes to Es. 3:7). The Book of Esther mentions only casting lots that means appointing the least favorable period for Jews, but there is no reference to the signs of the Zodiac in the text.
In the octagons separating the frames are depicted (from right to left): 1) a ship on the sea, 2) a landscape with hills and a castle (?), 3) a castle (?) on a hill-island on the sea.
S | Ship
E | Esther, Book of (following the order of the story) | Ahasuerus' and Esther's wedding
E | Esther, Book of (following the order of the story) | Haman casting the lot/Pur - Haman aiming at the Zodiac wheel (based on Midrash)
O | Ornamentation: | Foliate and floral ornaments
P | Portrait | Portrait medallion
A | Acanthus Leaf
O | Ornamentation: | Architectonic motif
L | Landscape
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The lower margin of the second membrane is seriously damaged; some of its parts are missing.
The sewings are in poor condition and not esthetic.
The Book of Esther in Hebrew with the benedictions recited before the Megillah reading and the liturgical poem Asher Heni
The scroll is formed of 3 membranes containing benedictions recited before the Megillah reading + 12 columns of text + a final benediction panel. Each column includes 32 lines of text, except for col. 10 with 11 lines divided into two half-columns (the text in it is printed and not copied by hand).
Every sheet comprises 4 columns of the text each and the last sheet, additionally contains the benediction panel.
The text is inscribed in the Hebrew square script, in brown ink, on the flesh side of parchment membranes.
The scroll opens with an enlarged and bolded initial word.
The letter ח (Es. 1:6) is highlighted by its size (it is enlarged and bolded), form (it is composed of two elements joined with a roof and it is decorated with scrolled feet). The letter ת (Es. 9:29) is enlarged and bolded. Other enlarged and diminished letters are included in col. 10, however, this part of the scroll is printed and not penned by a scribe.
The final verse of the scroll is written in larger letters decorated with tagin.
There are some erasures and corrections in the text.
The ruling and pricking are invisible.
The sheets in the scroll are stitched together.
The benedictions: The initial benedictions are inscribed in the semi-cursive letters in the central panel of the opening decoration. All three words ברוך are enlarged and bolded.
The final blessing starts with a printed word ברוך placed in the upper margin and is copied in a square script. In the column below it, the Purim poem is copied in a square script. The letters opening the subsequent verses are enlarged and bolded.
None
Similar narrative scenes are included in "the scrolls with landscapes" (see their descriptions in the Index); some of them are their mirror image.
The scroll from the JHM collection is an exception because it contains only three sheets and not four as all other megillot decorated with this border. Sheet no. 3 is absent in the scroll, therefore some episodes (e.g. the triumph of Mordecai) are not represented in it.
In the last panel, just below the text of the Megillah, an inscription in Hebrew is written.
A short description of the scroll and images are available on https://data.jck.nl/page/aggregation/jhm-museum/M000414 (accessed on 17.07.2021).
Manuscripts sharing the same pattern are described in:
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:176-188.
Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, "Judaica Bohemiae" 1979, nr 15/2, 80-83.