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Img. ID: 194290

© BSB, Photographer: Unknown,

Fol. 2v: First parchment flyleaf from a mutilated manuscript of c.1400:

Full-page poem in the form of a tree with a vertical stem and diagonal branched lines.  The lines are verses from a poem by Yehiel ben Harosh מדושתי ובן גרני דגני והפרי אשר גדל בן גיל הקריב written in alternating brown and red square script. Each verse ends with the syllable Ni (ני). The tree emanates from a large foliate motif in brown and red ink and is flanked by inscriptions, written by several hands.

Name/Title
Munich Sephardi Massoretic Bible | Unknown
Object
Object Detail
Fol. 2v
Settings
Unknown
Date
Last quarter of the 13th century and additions of c. 1400
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Spain | Castile
| (Toledo or Soria)
Historical Origin
Unknown
Community type
Congregation
Unknown
Location
Unknown |
Site
Unknown
Period
Unknown
Period Detail
Collection
Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 392 (Steinschneider 1895, No. 392)
Documentation / Research project
Unknown
Material / Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
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Condition
This single page is a later addition (c.1400-1437) from a mutilated parchment manuscript of c.1400, the recto of which is stuck to a piece of cardboard. It was apparently taken with four other folios from one manuscript, and used as protective flyleaves (fols. 1, 3, 438, 439).
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
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Denomination
Signature
Colophon
Scribal Notes
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Group
Group
Group
Group
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Summary and Remarks

The first "Tree-Poem" (שיר-העץ) in Hebrew was composed by Abraham ibn Ezra (Tudela, 1089-1164) in honour of Rabbenu Tam, the grandson of Rashi (see Pagis 1993:101-102 and Song No. 7). He was followed by another famous Sephardi poet, Todros ben Abraham Halevi Abulafia (Toledo, 1247–after 1300), who wrote two poems in tree form (figs. 1, 2), one in praise of the RaMaH (R. Meir Halevi ben Todros Abulafia, d.Toledo1244; Pagis:102-103, song No. 8); the other in praise of a certain Samuel

(השר שמואל - Elizur 2004:116; Levin 2011). The graphic similarity between the tree poems indicates that Yehiel followed Abulafia's tree in detail including e.g. the floral decoration at the base of the tree.

According to Dan Pagis, Tree Poems and Menorah Poems are built according to one principle, since they are similar in shape. Although in most cases the Menorah branches are written in rounded lines, there are Menorot with diagonal branches (Pagis 1993:100).

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Suggested Reconsdivuction
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Main Surveys & Excavations
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Negative/Photo. No.
M000306.jpg