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Img. ID: 500162

© Gross Family Collection, Photographer: Unknown, -

The following description was prepared by William Gross:

the shiviti plaque takes its name from a phrase in the psalms, "shivit adonai lenegdi tamid". "i will always hold the lord before me."  during morning prayers the 67th psalm is read as a part of the liturgy. the making of such visual pages to augment the reading started almost 500 years ago. it began because of a particular story or legend. the custom relates that if one gazes on the form of the menorah while reciting the psalm, or reads the psalm written in the form of a menorah, the person is carried back to the temple, standing before the golden temple menorah itself. to complete the illusion, some of the temple implements were often illustrated. the mysticism of the idea is clear, and the shiviti page is often filled with kabbalistic abbreviations as well as the menorah form. sometimes, depending on the size and complexity of the image, other texts read during the time of prayer are also presented on the sheet.

such pages appear as small sheets to be inserted into a prayer book and taken out when the psalm is recited or as large pages to be hung on the wall of the synagogue for the viewing by the whole congregation. the sheet was also used on the wall of a home or sukkah. later still, the shiviti could be printed in the prayer book or painted on the wall of the synagogue. there are numerous examples of both the prayer book tradition and the wall plaque tradition in the gross family collection.

a gift to a friend, this exquisite shiviti was penned by eliezer," sofer shochet u-minaker me-berlin". this was probably made in such a shape in order to fit inside the pages of a siddur, or daily prayer book.  the first side has the psalm 67 in the shape of the temple menorah.  this psalm had special meaning when read in this form.  above there is the "ana bakoah" prayer and the first 24 letters of the 42 letter name of the lord.  on the reverse side is the "yehi ratzon" prayer for the new month.  the calligraphy is exceptional as is the overall composition.

Name/Title
| Unknown
Object Detail
Settings
Unknown
Date
circa 1800
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Material / Technique
Parchment, Ink, Written
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
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Measurements
Height: 15.1 cm, Width: 9.9 cm
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Documented by CJA
Surveyed by CJA
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Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
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Textual Content
Unknown |
Languages of inscription
Unknown
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Unknown
0
Ornamentation
Custom
Contents
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Façade (main)
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Short Name
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Documenter
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Author of description
William Gross |
Architectural Drawings
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Computer Reconstruction
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Negative/Photo. No.
Gross_058.012.016A.jpg