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Text panels 4 and 5 (sheet no. 2) are surrounded by hand-drawn foliate and floral ornamentation with portrait medallions, putti, and fruit-filled vases. The medallions contain busts of Bigthan (on the first sheet), Teresh, Hegai, Shashgas, and Harbona (from the right to the left). The lower margins are adorned with cartouches (nos. 4 and 5) containing narrative scenes from the Book of Esther:

Cartouche 4 joins two episodes: the execution of the king's chamberlains, Bigthan and Teresh, on the gallows (Es. 2:23) on the right, and Mordecai sitting at the king's gate on the left. The latter possibly shows Mordecai, wearing a large black flat hat, who overhears the plot of the chamberlains against the king (Es. 2:21-22).

Cartouche 5 depicts Haman paying money to the king (Es. 3:9). The vizier is standing before the king with the scales in his hand. A tree is depicted on the left side of the cartouche.

Name/Title
GFC Aryeh Leib ben Daniel of Goray Sepia Esther Scroll | Unknown
Object Detail
cols. 4 and 5
Settings
Unknown
Date
1740s
Synagogue active dates
Reconstruction dates
Origin
Italy
| (?)
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Material/Technique
Ink on parchment
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
The scroll: 275x2180 mm.
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition

The manuscript (the text, decorations, and membranes) is very well preserved.

Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents

The Book of Esther in Hebrew

Codicology

The scroll is formed of 6 sheets (the last sheet is blank and was used for stitching of the manuscript to the roller) containing 14 columns of the text of 28 or 29 lines, except for col. 12 which includes 11 lines divided into two half-columns.

Membranes nos. 1-4 include 4 columns of text and the fifth one includes 2 columns.

The text is written in Hebrew square Ashkenazi script with tagim, in brown ink on the flesh side of the parchment membranes.

The letter ח (Es. 1:6) is enlarged, bolded, and darker than all letters around. The letter ת (Es. 9:29) is enlarged and bolded. Other enlarged and diminished letters are included in col. 12.

Col. 11, in the last line, includes an extremely long letter.

The double-line ruling is well visible along with the membranes.

The pricking is invisible.

The membranes in the scroll are stitched together.

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon

None

Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

It seems the scroll was originally mounted on a roller and for this purpose the sixth, blank and short sheet was added.

Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography

Bibliography on scrolls made by Aryeh Leib ben Daniel of Goray or attributed to him:

Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:206-215.

Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, 64-66, object 73.

Mendel Metzger, The Earliest Engraved Italian Megilloth, Bulletin of the John Rylands Library 1966, 48/2, esp. 409, 422-425.

Ernest Namenyi, "The Illumination of Hebrew Manuscripts after the Invention of Printing," in Cecil Roth (ed.), Jewish Art, an Illustrated History (London, 1961), col. 435.

Olga Sixtova, O svitku / Form of the Scroll [katalog k výstavě konané v Galerii Roberta Guttmanna Židovského muzea v Praze od 22. června do 26. července 2006], Prag 2006, 32-33.

A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 246-249.

Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 266-269.

A Fine Illustrated Esther Scroll, [ca. 1740], lot 105, Sotheby's New York Important Judaica, 20 December 2017 https://www.sothebys.com/en/auctions/ecatalogue/lot.105.html/2017/important-judaica-n09687 (accessed on 31.07.2020).

A Magnificent Esther Scroll Written and illustrated Aryeh Leib ben Daniel of Goray, Schwelm, 1737, lot 187, Sotheby's New York Important Judaica Including Property from the Estate of Shlomo Moussaieff, 15 December 2016 https://www.sothebys.com/en/auctions/ecatalogue/2016/important-judaica-n09589/lot.187.html (accessed on 31.07.2020).

Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Researcher
Dagmara Budzioch | 2020
Architectural Drawings
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Computer Reconstruction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
M002218