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Img. ID: 194291

© BSB, Photographer: Unknown,

Fol. 3-3v: Second parchment flyleaf from the mutilated manuscript of c.1400:

Fol. 3: Full-page decoration of a square panel enclosing a rosette within a circle outlined in micrography of the piyyut by Yehiel ben Harosh in brown and red ink. This graphic form was originally conceived by the poet, who named it עוגת שירה (Poetical Circle). The poem consists of three sections. The first one beginning with  אודה לך האל (Thank you Lord) is written in square script and corresponds to the outer circle of the carpet page; the main section of the poem יהלל פי לאל (I praise God), is called הערוגה (the flower-bed) and corresponds to the form of the rosette written in micrography within the circle. This part also contains the name of the poet in an acrostic, יחיאל הקטן ברבי אשר בן אשר חזק אמן סלה תם. The last section of the piyyut opens with the instruction ואלה היו החרוזים הנתונים למטה כתובים באמצעותם, which means that the verses of this section should be written at the centre of the composition (באמצעותם). Indeed, the verses are written at the centre of the rosette in square script. The panel is framed with a braid motif and acanthus scrolls in spared-ground technique, and palmettes extend from each corner.

Fol. 3v: The page which was originally blank contains another copy of the above piyyut by Yehiel ben Harosh, written in a semi-cursive Sephardi hand. The main section of the piyyut is written in two columns.

It starts with a long line at the top of the page, and ends at the left margin.

Name/Title
Munich Sephardi Massoretic Bible | Unknown
Object
Object Detail
Fol. 3
Settings
Unknown
Date
Last quarter of the 13th century and additions of c. 1400
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Spain | Castile
| (Toledo or Soria)
Historical Origin
Unknown
Community type
Congregation
Unknown
Location
Unknown |
Site
Unknown
Period
Unknown
Period Detail
Collection
Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 392 (Steinschneider 1895, No. 392)
Documentation / Research project
Unknown
Material / Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
This single page is a later addition (c.1400-1437) from a mutilated parchment manuscript of c.1400, apparently taken with four other folios from one manuscript, and used as protective flyleaves (fols. 1, 2, 438, 439).
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

The second rhymed poem of Yehiel ben Harosh is written in the form of a circle enclosing a rosette in micrography (fig. 3). This graphic form was originally conceived by the poet who named it "Poetical Circle" (עוגת שירה). The poem reveals in acrostic the name of the poet Yehiel ben Asher (or ben Harosh).

R. Yehiel ben Harosh was the great-grandson of the famous Talmudist HaRoSH (Rabi Asher ben Yehiel, Ashkenaz c.1250 -Toledo1328). Our Yehiel was a great theologian, judge (dayyan) and poet inToledoduring the 14th-15th century, for his first poem is dated 1390. He also was a witness of the pogrom of 1391 גזרות קנ"א)) inToledo, in which another great-grandson of HaRoSH, R.Yehudah ben Asher (for whom ibn Merwas copied a Bible in 1334) was killed (Zacuto 1875:225; David, 1986:53-55). As Prof. David pointed out, this poem is copied in several manuscripts but only the Munich Sephardi Bible includes the form of the circle (David 1986:53).

Remarks
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography
David 1989:53-55.
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Negative/Photo. No.
M000307.jpg