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Obj. ID: 39983  Ma'ayan ha-Chochmah, Amsterdam, 1651

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Ma'ayan ha-Chochmah | Unknown
Object Detail
Date
1651
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.2432
Material/Technique
Paper, Ink, Letterpress
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
18.5 cm
Length
Width
15 cm
Depth
0.1 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

An extremely rare edition of this Kabbalistic discourse on the Tetragrammaton. The author intentionally did not disclose his name, so that the work remains anonymous.

Despite its brevity, the work addresses in depth the correct pronunciation of the “shem ha-meyuhad” as well as its esoteric meanings. It concludes with a discussion of the seventy-two letters into with the four leters of the “shem ha-meyuhad” can be divided.

This is the only edition of Ma’ayan ha-Chochmah, and has no relation to any of the several other kabbalistic works of the same name.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance

The printer Yehudah [Leib] b. Mordechai [Gimpel] of Posen worked for Menasseh b. Israel from 1632-1640, and, apparently, as a compositor for Benveniste beginning in 1642.

Samuel b. Moses ha-Levi [Levy Marcus] was also employed by Benveniste.

Together the two established their press and were the first Ashkenazic Hebrew printers in Amsterdam. Twenty books in Hebrew and Yiddish, primarily small works, were printed by them until their partnership ended in 1651, the year this volume was published.

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