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Obj. ID: 39637  Tzeena u-Reena by Ya'akov ben Yitzhak me-Yanov, Frankfurt am Main, 1753

© Gross Family Collection, Photographer: Unknown,

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Name/Title
Tzeena u-Reena by Ya'akov ben Yitzhak me-Yanov | Unknown
Object Detail
Date
1753
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.2269
Material/Technique
Paper, Ink, Letterpress, Woodcut
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
22 cm
Length
Width
19 cm
Depth
5 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

Most Jewish women of the 17th and 18th centuries were unable to read Hebrew, but were familiar with Yiddish. At the same time almost all editions of the Bible were published in Hebrew. There arose a popular literature of Bible stories for women in the Yiddish language. This book was named "Tzeena u-Reena" and was published in many editions, particularly in Southern Germany.
This book is a miscellany of Midrashic tales and exegetical commentary, woven around a Yiddish rendering and paraphrasing of the Chumash, Haphtaroth and the Megillot. The Tzeena u-Reena is the most renowned Yiddish work of homiletical prose and has been particularly beloved by generations of Jewish women. Written in a lucid, flowing style, the numerous editions issued over time has resulted in that the text of the book has become a laboratory in researching the development of the Yiddish language.
The book was often illustrated with charming woodcuts to keep the interest of the readers.
A relatively early edition with illustrations that are of a finer quality that those of the numerous edition towards the end of the 18th century. It is bound in a leather binding with brass clasps.
EJ; M. Erik, Geshikhte fun der Yidisher Literatur (1928), 223–30; Milly Heyd, “Illustrations in Early Editionms of the tsenbe-u’Rene”, Jewish Art X 1984 pp. 64-86; JE; Ch. Lieberman, in: Yidishe Shprakh, 26 (1966), 33–38; 29 (1969), 73–76; Ch. Shmeruk, in: For Max Weinreich on his Seventieth Birthday (1964);

Custom
Contents
Codicology
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Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
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Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
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Page
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