Home
   Under Construction!
Object Alone

Obj. ID: 39321  Wimple (Torah binder), New York City, 1947

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

7 image(s)

sub-set tree:

Name/Title
Wimple (Torah binder) | Unknown
Object Detail
Date
1947
Synagogue active dates
Reconstruction dates
Artist/ Maker
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
019.014.053
Material/Technique
Linen, Paint, Cut, Sewn, Painted
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Length: 246.5 cm, Height: 16 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

The custom of the Wimpel or Torah Binder stretches back some 500 years at least in the world of classic Ashkenaz, the German speaking lands. The cloth which held the child at the time of his circumcision, almost always of linen, was cut into strips and sewn into a long textile. On this lengthy cloth was embroidered or painted a formulaic inscription, blessing the child and wishing that he grow up to "the Torah, the Chupah and good deeds". The beginnings of the custom were executed on linen cloth with silk embroidery. In the late 18th century the custom passed to painting on the textile with substantial illustration, although late examples of embroidered Wimpels do exist. Wimpels in the Gross Family Collection have their origin from Germany, Denmark, the Czech lands, Luxembourg and Alsace. The Wimpel served as a Torah Binder, being brought to the synagogue for use on the child's first birthday, his Bar Mitzvah and the Shabbat Chatan before his marriage.

A most unusual Wimpel from New York by an artist who made several elaborae Wimpels in the years following the Holocaust. His name was Reuben Eschwege. He was the cantor for the community of Wurzburg in Germany until 1939, when he arrived in the United States. He served in the same position in America and was additionally a Mohel (ritual circumciser), a profession that certainly led to the production of such a Wimpel, one of many that he made for German-Jewish families in New York.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
|
Researcher
|
Architectural Drawings
|
Computer Reconsdivuction
|
Section Head
|
Language Editor
|
Donor
|