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Obj. ID: 36718  Tik (Torah case), Shanghai, 1886

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

14 image(s)

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Name/Title
Tik (Torah case) | Unknown
Object Detail
Date
1886 (inscription)
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community
Location
Unknown |
Site
Unknown
School/Style
Period
Period Detail
Gross Family Collection No.
048.001.003
Material/Technique
Silver, Paritally Gilt, Repousse
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
92.6 cm
Length
Width
Depth
Circumference
Thickness
Diameter
30 cm
Weight
Axis
Panel Measurements
Hallmark
1) The “Gothic K” mark was one of the marks used by the Canton [Guangzhou] ‘outside merchant” KHE CHEONG [mandarin QI JIANG 祁蔣]; probably one of the most successful of the outside merchants operating in Canton in the first half of the 19th century. Khe Cheong established a close working relationship with both American and English merchants as well as Jewish merchants operating in both Canton and Calcutta, including the Sassoon family. Khe Cheong had a genealogical family tree that went back to the Sung Dynasty; the dynasty that immediately preceded the Yuan Dynasty [Mongol Tartar] established by Kublai Khan, leader of the Mongolian Borjigin clan and grandson of Genghis Khan. Such a pedigree would be invaluable to a Chinese merchant since they were placed in the Shang [商] social group; a central part of the ancient Chinese Fengjian social structure that dates back to the late Zhou Dynasty circa 1046–256 BCE.

2) The middle mark, YI 仪 [cantonese JI] was an artisan silversmith working in Canton circa 1830-1860.

3) The lower mark, WEN YIN 纹銀; a term literally meaning “coin silver”, alluding to a silver purity similar to “Sterling silver” [.925% purity]. The mark on this item appears as 纹艮 [wen gen] instead of 纹銀; the former term means simply “a mark.” Adrien von Ferschtand believes this is an error as the latter was one of several marks used at the time to allude to a high silver purity level.

China has never had an official assay system for either gold or silver.
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

The following description was prepared by William Gross:

This style of Torah Tik is typical of the Baghdadi Jews in Iraq. When members of this community settled in other parts of Asia, they took their customs and styles with them, even if the craftsmanship was local. So, too, it was with the Baghdadi community in India generally and in Calcutta specifically. This Baghdad form Tik was made for a synagogue in Calcutta and was crafted in Shanghai, China, undoubtedly through the commercial connections of the Baghdadi commercial families of Calcutta with those in Shanghai. The workmanship is exceptional and the beauty of the contrasting gold, silver, and darker sections creates a striking object of beauty. Known only on a handful of Jewish objects are the Chinese export silver marks that appear on this Torah tik and the accompanying Torah pointer.

Inscription: 

This Tik and the Sefer Torah that is inside and the Yad [Moreh Makom] and the Rimmonim and the Mapah were dedicated by Nissim Chai Nissim Yosef Ezra, may the Lord sustain him and grant him favor, for the soul of his wife, who has found mercy, Mazal Tov, may she rest in Eden, may her soul be bound up in the bond of life, the daughter of the man of substance Eilia David Yosef Ezra, may the Lord sustain him and grant him favor, in the year 5646 [1886] of creation.

This case has been made along with finials also made in China.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
|
Researcher
William Gross, Adrien von Ferscht |
Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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