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Obj. ID: 35668  Haggadah shel Pesach, Berlin, 1928

© Gross Family Collection, Photographer: Unknown,

11 image(s)

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Name/Title
Haggadah shel Pesach | Unknown
Object Detail
Date
1928
Synagogue active dates
Reconstruction dates
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Period Detail
Gross Family Collection No.
B.335
Material/Technique
Paper, Ink, Offset, Signature
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
22 cm
Length
Width
17.2 cm
Depth
1 cm
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Hallmark
Iconographical Subject
Unknown |
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Description

This text was prepared by William Gross:

Pesach Haggadah with illustrations by graphic artist Otto Geismar.
Otto (Nathan) Geismar (30 October 1873 – 30 March 1957) was an art teacher at the Berlin Jewish Community school for boys from 1904 till 1936. In 1930 the Jewish community granted him a scholarship for a several-months-long stay in Palestine. In 1939 Geismar and his wife emigrated to Brazil and, after World War II, moved to England to be closer to their daughter.
Geismar’s first published work, Tier-Schnell-Zeichnen was published in Berlin in 1926 as a drawing manual. One year later he produced his Haggadah, which contains some of the most original Haggadah illustrations known to date. Drawn in an a style that has been characterized as ‘minimalist’ and ‘expressionistic’, these illustrations are marked by bold typography, radically simplified lines, freedom of treatment of traditional themes (e.g., the illustration for the song Had Gadya) and humour (the wicked son as a mocker who thumbs his nose at the wise one; the Plagues of Egypt; a child overcome by the wine and Feztivities at the end of the seder banquet, etc.). Geismar’s optimistic ‘logo’ can be seen at the end of the book: a little bird chirping in a tree next to an open cage, with the Hebrew initials Aleph Gimel = Otto Geismar. His Haggadah was published first in a Hebrew/Aramaic edition (Berlin/Lepizig, 1927), and in two separate bilingual (German and Dutch) editions (Berlin, c.1928 and re-editions).
In the same year as his Haggadah, Geismar’s biblical illustrations for children were published as Bilder Bibel by Rubin Mass (Berlin, 1928, and republished by the same in Jerusalem, 1940. Later, in Israel, the illustrations accompanied books of children’s poetry and rhymes by L. Avishai and by L. Kipnis). In the 1930's, while still in Berlin, Geismar illustrated and designed a Scroll of Esther, which was published by Dr. Herbert Löwenstein in Berlin and Tel-Aviv in 1936 (See ID 35191). Both of these other Geismar works are in the Gross Family Collection.

Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Signature
Colophon
Scribal Notes
Watermark
Binding
Decoration Program
Summary and Remarks
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
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Researcher
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Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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