The roller: 275 mm (height).
The manuscript is preserved in satisfactory condition but the state of preservation of the membranes varies. The membranes are crumpled. The fourth membrane is in the best condition, with its decorations and text preserved.
In many places, green paint has flaked off and the text is damaged.
The pattern in this exemplar is poorly printed.
Some sewings are torn.
The ninth (sheet no. 3) and tenth text panels (sheet no. 4) are surrounded by a printed and colored border including:
Frame 17 (text panel 9 - upper margin): On the right, Ahasuerus sits on the throne under a canopy and holds a scepter. The crowned Esther kneels before him and she is attended by her two maid-servants. On the left, Haman's ten sons are hanging on the same gallows and on either side of it, a guard with a spear in his hand is standing (Es. 9:14).
Frame 18 (text panel 9 - lower margin): Seven men in turbans on their heads who sit around a long laid table are depicted. Two servants carrying trays go out of the room from both sides (Es. 9:17).
Frame 19 (text panel 10 - upper margin): On the right, the crowned Esther sits in an armchair at a table and writes the Purim letter. This is witnessed by two men wearing turbans who stand next to the table (Es. 9:29). On the left, two mounted messengers ride towards a city (Es. 9:30).
Frame 20 (text panel 10 - lower margin): Five men wearing masks and tall pointed hats are dancing in a circle and playing musical instruments. The scene most likely depicts a Purim celebration contemporary to the manuscript's creator.
The Book of Esther in Hebrew
The scroll is formed of 4 sheets containing 10 wide columns of the text with 23-25 lines each, except for col. 8 which has 11 lines divided into two half-columns.
Sheets nos. 1-3 contain 3 columns of the text, and sheet no. 4 contains a single column.
The text is written in Hebrew square Italian script with tagin, in black ink on the flesh side of parchment membranes.
The letters ח (Es. 1:6) and ת (Es. 9:29) are enlarged and bolded. Other enlarged and diminished letters are included in col. 8.
There are some corrections and erasures in the text.
The ruling is made with a hardpoint but it is barely visible.
The pricking is invisible.
The membranes in the scroll are stitched together.
None
The opening decoration of this scroll differs from all other megillot sharing this pattern.
Some details - such as endless knot patterns - in the scroll are painted with gold paint.
The manuscript is displayed on the permanent exhibition in the Museo Ebraico.
Bibliography concerning this manuscript is unknown but other scrolls sharing the same pattern are described e.g. in:
Mendel Metzger, Eine illustrierte Estherrolle der zweiten Hälfte des 18. Jahrhunderts im Historischen Museum Frankfurt am Main, mit einem Anhang über Megilla-Hülsen, „Schriften des Historischen Museums Frankfurt am Main”, 13 (1972), 95–116.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:119-128.