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Obj. ID: 45325
Sacred and Ritual Objects
  Fastener for garments of women, Tiznit, circa 1930

© Gross Family Collection, Photographer: Bar Hama, Ardon, -

The following description was prepared by William Gross:

In Morocco, most of the gold and silverwork that was carried out in ancient times in the production of jewellery was crafted by Jewish silversmiths. The artisans took refuge in Morocco after the Reconquista in Spain in 1492 and brought with them their skills in jewellery-making, using their own customs and traditions to build a trade which has served to enhance the reputation of Moroccan jewellery. Whilst urban jewellery was predominantly made of gold, rural jewellery was always made of silver, and was almost exclusively crafted by men who succeeded their father in the profession from generation to generation. Techniques used included enamelling, engraving, filigree, niello and relief work, as well as the attachment of semi-precious stones such as amber, carnelian, coral and turquoise. Beads, which were once used as currency for trading purposes, were also frequently attached to necklaces, adding to their beauty and value. Old silver coins also added value to the piece.

 This elaborate piece of jewelry was used for keeping the garments of women closed.  Such jewelry was made by Jewish silversmiths working in most sections of Morocco.  The enamel work of this type was an exclusive craft of the Jews of Tiznit and indicates the probable origin of this work. This sort of jewelry was used by both Jews and Arabs in Morocco. Some of the coins attached as decoration, as was common in jewelry in Morocco, are American coins. This is one of the most impressive necklace/closure pieces made there.

Summary and Remarks
Remarks

1 image(s)

sub-set tree:

Name/Title
Fastener for garments of women | Unknown
Object Detail
Monument Setting
Unknown
Date
circa 1930
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown
Historical Origin
Unknown
Community type
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Iconographical Subject
Unknown |
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
Material / Technique
Silver, Enamel, Stones, Cast, Engraved, Enameled,
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height (as worn): 62 cm, Length: 118 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Sources
Type
Documenter
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Author of description
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Architectural Drawings
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Computer Reconstruction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
The following information on this monument will be completed:
Unknown |