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Obj. ID: 55707
  Sacred and Ritual
  Purim poster, Jerusalem, 1902

© Gross Family Collection, Photographer: Bar Hama, Ardon,

The following description was prepared by William Gross:

An illustration from the Book of Esther, a leaf in colorful lithographic printing, was created by Moshe Ben Yitzchak Mizrahi (Shah). Jerusalem, 1902. This is a colorful stone lithograph, illuminated with golden ink with scenes from the Book of Esther. There is a larger page in black and white on the same subject by the same artist Moshe Mizrachi. This is also in the Gross Family Collection, 039.011.042.

The subject of Purim was a popular theme in Jewish art.  This is a version done by the Persian immigrant artist Moshe Mizrachi. Mizrachi was one of the few people trying to make a living as an artist in the holy land at the beginning of the 20th century. It was not easy as the population was limited and poverty was widespread. Mizrachi worked in his own style and included local elements such as Turkish uniforms and costumes. That is evident in the composition. The composition seems to be an original one developed through Mizrachi’s perception. Since the poster is dated 1902, it was published by the firm of Monsohn, the first publisher of color printing in the holy land and would seem to be one of the early works by this artist.

Mizrachi worked at least until his last known published work in 1926, also in the Gross family collection. A painted glass Mizrach from his hand is present in the collection as well as another 7 lithographs design by him.

Summary and Remarks
Remarks

sub-set tree:  

Name/Title
Purim poster | Unknown
Object Detail
Monument Setting
Unknown
Date
1902
Active dates
Reconstruction dates
Artist/ Maker
Mizrachi, Moshe (scribe and artist in Jerusalem, 1870-1920s, ?)
Monsohn, A. L., Lithograph in Jerusalem (1870-1930)
{"3696":"Moshe ben Yitzhak Mizrachi was born in Persia around 1870 and arrived in Eretz Israel about 1890. He was a professional scribe who also managed a framing shop in the old city of Jerusalem. Many of his works, both originals from his hand or printed versions, remain today in homes, synagogues, and private collections in Israel and around the world. He specialized in paintings on glass in the Ottoman manner as well as calligraphic and painted works, like Mizrah plaques or Shiviti plaques. He often used the imagery of holy places, hamsa, and priestly blessings. He was a rare individual in the poverty-struck Jerusalem of the period, who could make his living as an artist and professional scribe.","3238":"Monsohn was the first printer of color stone lithograph in the Holy Land. Initially, Monsohn could not get permission to open a letterpress publishing shop by the Ottoman authorities, who felt there were already enough printers in Jerusalem. Monsohn went to Germany in 1890 to learn the art of stone lithography. He returned, established his press in 1892, and remained the only multicolored printer through the 1920s."}
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
1 image(s)    items per page

1 image(s)    items per page
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
Material / Technique
Paper, Colored Inks, Stone Lithograph
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height: 23.5 cm, Width: 20.5 cm
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Sources

Omanut Ve-Umanut Be’Eretz Israel Ba-Mea Ha-Tesha Esreh [Arts and Crafts in Eretz Israel in the 19th century (Hebrew)] (The Israel Museum, Jerusalem, 1979), pp. 122-124, pictures 98-103.

A detail from this lithograph appears on the cover of the catalogue. 

Type
Documenter
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Author of description
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Architectural Drawings
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Computer Reconstruction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
The following information on this monument will be completed:
Unknown |