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Obj. ID: 52104
  Memorials
  Pieta Holocaust Memorial in the Sachsenhausen Concentration Camp in Oranienburg, Germany

© Samuel D. Gruber, Photographer: Gruber, Samuel D., 2023

Memorial Name

Pietá, at Crematorium Site, Sachsenhausen Concentration Camp

Who/What is Commemorated?

Victims of the Sachsenhausen Concentration Camp

Description:

The sculpture is set off-center in front of a large wall, one side of a courtyard of a memorial building constructed over the site of the camp crematorium and execution site at the

edge of the prisoners’ compound.  A dedicatory inscription in German and English is on the wall.

The sculpture depicts two standing and bent inmates, holding a cloth that supports the corpse of another. The scene is compatible with the Communist-emphasized theme of the comradeship of the prisoners. The faces of the figures are undifferentiated, the figures’ forms and actions are emphasized over any aspect of individuality. The scene recalls Christian imagery of the Deposition, Pietá, and Entombment of Christ, especially in the detail ofthe  corpse being lifted and carried on a cloth, such as in the well-known works of Raphael, Titian, and Caravaggio.

Inscriptions:

In German and English:

DEN OPFERN DES KZ SACHSENHAUSEN

IN MEMORY OF THE VICTIMS OF SACHSENHAUSEN CENCENTRATION CAMP

1936-1945

Commissioned by

Central Committee of the Socialist Unity Party of Germany (German: Sozialistische Einheitspartei Deutschlands).

Summary and Remarks
Remarks

sub-set tree:  

Name/Title
Pieta Holocaust Memorial in the Sachsenhausen Concentration Camp in Oranienburg | Unknown
Object Detail
Monument Setting
Camp
{"1":"Any purpose-built concentration, labor, or death camp established by the Nazis or their collaborators (Auschwitz, Belzec, Buchenwald, Carpi, Dachau, Drancy, Fossoli, Klooga, Majdanek, Mauthausen, Sobibor, etc.)"}
Date
1961
Active dates
Reconstruction dates
2005
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Germany | Brandenburg | Oranienburg
| Sachsenhausen Memorial and Museum Straße der Nationen 22
Site
Unknown
School/Style
Unknown|
Period Detail
Collection
Unknown |
Documentation / Research project
Unknown
22 image(s)    items per page

22 image(s)    items per page
Iconographical Subject
Textual Content
Languages of inscription
Shape / Form
Material / Technique
Bronze
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
2.2 meters high
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Suggested Reconsdivuction
History/Provenance

The sculpture is one of many components of the Sachsenhausen Memorial developed in the 1950s and opened in former East Germany in 1961. It was placed within a covered court created where the crematorium of the camp stood. This space was rebuilt in 2004 and a new exhibition opened in the area surrounding the court.

 The sculpture, tucked away on the site of the crematorium and near where ashes of the dead were buried or scattered is the most emotionally expressive of all of the works on the site. In its direct depiction of suffering and death, it stands in stark contrast to the heroic statues of “anti-fascist” heroes depicted on the central monument. Like the memorial at Ravensbrock, its form deliberately harks back to Christian religious sculpture, especially depictions of the Pieta and Entombment of Christ.

Harold Marcuse has described the figures as more abstract in “contrast with the heroic group on the main Sachsenhausen memorial,” (Marcuse, p. 79 while Caroline Wiedmer described the sculpture as “a more realistic depiction of the prisoners’ suffering, although here too the figures are exclusively male.” (Wiedmer, p. 185).

Main Surveys & Excavations
Sources

Becker, Stefan. “Zur künstlerischen Gestaltung der Gedenkstätte Sachsenhausen.” In Von der Erinnerung zum Monument: Die Entstehungsgeschichte der Nationalen Mahn- und Gedenkstätte Sachsenhausen, edited by Günter Morsch, Oranienburg, Germany: Schriftenreihe der Stiftung Brandenburgische Gedenkstätten, (Band Nr. 8, 1996)

Farmer, Sarah. “Symbols that Face Two Ways: Commemorating the Victims of Nazism and Stalinism at Buchenwald and Sachsenhausen.” Representations 49 Special Issue: Identifying Histories: Eastern Europe Before and after 1989. (1995): 97-
119.

"Gedenkstätte und Museum Sachsenhausen", https://www.sachsenhausen-sbg.de/ (accessed February 6, 2025)

Marcuse, Harold. “Holocaust Memorials: The Emergence of a Genre,” The American Historical Review, Vol. 115, No. 1 (February 2010), pp. 53-89.

Morsch, Günter, and Astrid Ley, eds. Sachsenhausen Concentration Camp 1936–1945: Events and Developments. (Berlin: Metropol, 2013)

Morsch, Günter, ed. Von der Erinnerung zum Monument: Die Entstehungsgeschichte der Nationalen Mahn- und Gedenkstätte Sachsenhausen. Oranienburg, Germany: Schriftenreihe der Stiftung Brandenburgische Gedenkstätten, (Band Nr. 8, 1996)

Zur Nieden, Susanne “Erste Initiative fur Mahnmale in Oranienburg und Sachsenhausen,”
in Morsch, Von der Erinnerung zum Monument, 125 –132, esp. 128 –130. with photographs. Wiedmer, Caroline, The Claims of Memory: Representations of the Holocaust in Contemporary Germany and France (Ithaca, NY and London: C

“Murder and Mass Murder in Sachsenhausen Concentration Camp 1936–1945,” Sachsenhausen Memorial (Gedenkstätte und Museum Sachsenhausen), https://www.sachsenhausen-sbg.de/en/exhibitions/permanent-exhibitions/murder-and-mass-murder/ (accessed February 6, 2025)
Type
Documenter
Samuel D. Gruber | 2023
Author of description
Samuel D. Gruber | 2025
Architectural Drawings
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Computer Reconstruction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
The following information on this monument will be completed: