Home
    Under Reconstruction!
Object Alone

Obj. ID: 34124
Hebrew Illuminated Manuscripts
  SBB Griselini-Related Esther Scroll, Venice (?), mid-18th century

© Dagmara Budzioch, Photographer: Budzioch, Dagmara, 29.10.2010

The manuscript represents the Griselini-Related scrolls whose decoration imitates the scheme designed by Francesco Griselini (see "Griselini scrolls" in the Index). All Griselini-Related scrolls are formed of five sheets with four text panels on each membrane and are produced in the mixed technique of the decorative border that is printed and the hand-written text. Its general composition is the same as in the Griselini scrolls and only minor details such as dogs present in the narrative scenes and the checkered floor, differ them.

The scheme is based on the row of arcades under which individual columns of the Hebrew text of the Book of Esther are inscribed (it is copied in 19 columns and the last panel is left blank). The text panels are separated by columns whose shafts are decorated with varying patterns and whose bases contain floral designs. The upper margins feature cartouches flanked by flowers, pairs of turkeys, roosters, parrots, or hoopoes with their heads turned away from each other on top of a balustrade; all four pairs of birds are printed in the same sequence continuously. On top of the cartouches between turkeys and parrots, there are crowned double-headed eagles, whereas turkeys or peacocks are placed above cartouches between roosters and hoopoes. Vases, flowers, and small citrus trees are interspersed regularly throughout the birds.

The lower margins are decorated with figurative scenes illustrating the narrative of the Book of Esther. They feature Italian architecture and are enclosed in rectangular frames separated by the columns' floral bases.

The same pattern repeats along with the scroll and only the narrative scenes on the subsequent sheets are different.

The exemplar is colored by hand and is mounted on a wooden roller.

4 image(s)

sub-set tree:

Name/Title
SBB Griselini-Related Esther Scroll | Unknown
Object Detail
Monument Setting
Unknown
Date
Mid-18th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Italy | Veneto | Venice
| (?)
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Pseudo-Griselini|

The family of Italian Esther scrolls from around the mid-18th century designed by an anonymous engraver whose decoration imitates the scheme designed by Francesco Griselini (see Griselini scrolls). They are produced in the mixed technique in which decorative border is printed, while the Hebrew text of the Book of Esther is penned by a scribe; some exemplars are also hand-painted. The general composition is the same as in Griselini scrolls and only minor details such as dogs present in the narrative scenes and the checkered floor can be found in them. The scrolls of this family are formed of five sheets with four text panels each.

Period
Unknown
Period Detail
Documentation / Research project
Unknown
Material/Technique
Ink and paints on parchment (handwritten text, printed border colored by hand) + wood
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
The scroll: ca. 270 x ca. 2345 mm.
Length of the membranes in the scroll: 1) ca. 500 mm, 2) ca. 460 mm, 3) ca. 465 mm, 4) 460 mm, 5) ca. 460 mm + the part of the membrane in which the roller is wrapped.
Dimensions of the selected details in the scroll:
- the printed decoration: ca. 260x468 mm;
- a text panel: 120 x ca. 82 mm;
- a section with a pair of birds: ca. 35 x ca. 90 mm;
- a balustrade: 28-30 mm (height);
- a frame with narrative scenes: 26x75 mm;
- an average line of the text: ca. 75 mm long;
- an average letter: ca. 3 mm (height);
- spaces between the text lines: 3 mm;
- letters in col. 16: 5 mm (height);
- spaces between the lines of the text: 5 mm (height).
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition

The manuscript is preserved in good condition, although there is a hole in a part of the first text column and first illustration.

The state of preservation of the text is differentiated but it is still legible; it is partly caused by the condition of parchment.

In some places (especially on the third membranes) the letters could be seen on the other - blank - side of the membranes.

The edges of the membranes are straight beyond a part of the first membrane that is jagged.

On col. 14, there is a "yellow" stain. The parchment shows some traces of its renovation.

Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents

The Book of Esther in Hebrew

Codicology

The scroll is formed of 5 membranes containing 19 text columns with 23 lines except for col. 16 that is inscribed in 11 lines divided into two parts. Four membranes contain 4 text columns and on the fifth membrane 3 columns are inscribed.

The text is inscribed on the flesh side of parchment membranes in a small, square Italian script, in black ink with brown hues that differ on particular membranes. In some places, the second layer of ink could be placed on the letters.

The letter ח (Es 1:6) is of similar size as an average letter in the scroll but it is highlighted by its shape because this is the only place where letter ח is composed of two parts joined with a roof. Whereas col. 16 contains enlarged and diminished letters.

The flesh side of the membranes is bright, almost white, whereas another side is yellow.

On the right side of the first column, the prickings are visible.

The left margins in the text columns are straight.

The ruling was made but it is visible only in the places in which the text is absent.

The membranes in the scroll are stitched together.

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
None
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

The illustrations show numerous common features with the scrolls representing Klagsbald and Gaster II types (see in the Index) but they are more detailed; especially more figures are included in them.

To the right edge of the first membrane, a string is stitched.

The plants in the vases represent possibly carnations and tulips, and orange and lemon trees.

It seems that the pattern was painted after the stitching of the membranes because the shades of the paints are identical on them all.

The columns between the text panels are decorated with different ornaments.

Some cartouches are painted with silver metallic paint inside. 

The last - the twentieth - panel is empty.

The scroll was displayed at the "Synagoga" exhibition in 1960/1961 in Recklinghausen and in 1961 in Frankfurt am Main (respectively objects B 66 and 132 in the catalogues - see "Bibliography").

Suggested Reconsdivuction
History/Provenance

On the blank (hair) side of the second membrane, there is a sticker with the inscription "Bibliotheca Regia Berolinensis Ms. Ham. 235". The scroll could formerly belong to the collection of the Tübingen University Library as a depot of the Presussische Staatsbibliothek.

Main Surveys & Excavations
Bibliography

The scroll is mentioned in:

Synagoga. Kultgeräte und Kunstwerke von der Zeit der Patriarchen bis zur Gegenwart, Städtische Kunsthalle Recklinghausen, 3. November 1960 – 15. Januar 1961, ed. Anneliese Schröder, Recklinghausen 1961, object B 66.

Synagoga. Jüdische Altertümer Handschriften und Kultgeräte. Historisches Museum Frankfurt am Main, 17. Mai – 16. Juli 1961, Frankfurt am Main 1961, object 132.

The scrolls decorated with this pattern are discussed in:

Mendel Metzger, The Earliest Engraved Italian Megilloth, Bulletin of the John Rylands Library 1966, 48/2, 381–432, esp. 416-432 (here the scrolls are called "post-Griselini").

Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:135-138.

Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, p. 74-75, object 74.

A short description in French and several photographs are available on https://www.mahj.org/en/decouvrir-collections-betsalel/rouleau-d-esther-50121 (accessed on 24.05.2020).

Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Author of description
Dagmara Budzioch | 2020
Architectural Drawings
|
Computer Reconstruction
|
Section Head
|
Language Editor
|
Donor
|
Negative/Photo. No.