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Obj. ID: 2965
  Sacred and Ritual
  Torah mantle, Tangier (Tanger), 1923

© Center for Jewish Art, Photographer: Radovan, Zev, 1993
Summary and Remarks
Remarks
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Object Detail
Monument Setting
Unknown
Date
1923
Active dates
Reconstruction dates
Artist/ Maker
Unknown
Historical Origin
Unknown
Community type
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Languages of inscription
Shape / Form
Unknown
Material / Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Suggested Reconsdivuction
History/Provenance

This design of the Torah mantle was typical for the northern coastal region of Morocco (Tétouan and Tangier).

In this region, "what is noteworthy is the preservation of traditional Spanish Jewish costume, especially its typical gold embroidery. This was manifested most fully in the al-kiswa al-kbira... a magnificent gown worn on important occasions by the women of these communities (see, for example, postcards ID 45402 and 45390). The patterns and style of the ornamentation resemble those of Spanish embroidery at the time of the expulsion from Spain and were preserved because Jewish artisans passed them on from father to son. Since these artisans were the same as those who embroidered mantles, there is a close relationship between the ‘grand dress’ and mantles. The cloak of these mantles follows the widening cut of the ‘grand dress’, forming a long trapezoid shape. [...] Unique to the mantle is the central motif embroidered on the back, which is visible to the worshippers only when the Torah scroll is removed from the ark. The earliest major motif in this group is a stylized plant." The plant was probably alluding to the tree of life.  "During the first half of the twentieth century the tree of life motif disappeared, to be replaced by Ashkenazi patterns and dedicatory inscriptions." [Yaniv, 2019, pp. 157-9]

This mantle presents a combination of patterns and styles of Spanish embroidery with modern innovations (embroidered crowns, medallions with inscriptions, etc.) typical since the early 20th century. The design includes the central motif designed as an inscribed medallion shaped by floral motifs; the medallion was topped by a flower stylized as a crown or later a crown. A stylized plant, probably alluding to the tree of life, is placed under the medallion. 

Main Surveys & Excavations
Sources

Amar, Ariella. “Batei kneset, tashmishei kdusha u-mitzvah.” In Tunisia, ed. Haim Saadoun (Jerusalem: Ben-Zvi Institute for the Study of Jewish Communities in the East, 2003): 273–88.

Yaniv, Bracha, Ceremonial Synagogue Textiles: From Ashkenazi, Sephardi, and Italian Communities (Liverpool: Littman Library of Jewish Civilization, 2019)
Type
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Computer Reconstruction
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Negative/Photo. No.
The following information on this monument will be completed:
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