Landscapes nos. 2-4 are printed in the upper margin, and there are three frames with illustrations in the lower margin (nos. 13-15) on the fourth sheet.
The depictions in the frames are barely visible and are reconstructed on the basis of the other scrolls adorned with the same border.
Frame 14: Two groups of people are shown, with some of the people in each group looking upwards. This detail suggests that the scene should be interpreted together with the illustration of the hanging of Haman's ten sons (Es. 9:14) which is incorporated in the text column above. On every beam of these gallows, a single body (one of the sons of Haman) is hanged. A high ladder leans against the gallows, and atop it stands an executioner. It seems the people shown below are onlookers witnessing the execution.
Frame 15: On the right, two groups of mounted soldiers are shown fighting each other. The clothing of the men on the left suggests that they are the Jews. This is one of the moments when Jews battle their enemies, but it is difficult to determine which particular episode is illustrated here (Es. 9:5-12). On the left, the royal couple, Esther and Ahasuerus, sit together. However, it is slightly unclear which episode this illustration depicts; it is most likely the moment when Esther pleads with the king for an additional day of fighting (Es. 9:13).
Frame 16: On the right and in the center, a feast commences with musicians and dancers of both sexes. One dancer is wearing clothing typical to Jews of the time when this scroll was designed; another dons a checkered costume, and yet another wears a long curly wig. It is unclear whether this illustration depicts the victory feast after the Jews' triumph over their enemies (Es. 8:16-17) or the first Purim feast (Es. 9:17-23). On the left side of the frame, there is an illustration of a ship at sea (this alludes to Es. 10:1).
Length of the sheets in the scroll: 1) 395 mm, 2) 384 mm, 3) 395 mm, 4) 418 mm.
An average text column: 93x68 mm.
C | Columns
H | Herm(a)
A | Acanthus Leaf
G | Garland
P | Putto (Putti in Plural)
B | Basket | Basket with flowers
V | Vase
E | Esther, Book of (following the order of the story) | Haman's sons hanged (Es. 9:14)
E | Esther, Book of (following the order of the story) | Jews battle their enemies (Es. 9:5-12)
E | Esther, Book of (following the order of the story) | Esther asks the king for an additional day of fighting (Es. 9:13)
E | Esther, Book of (following the order of the story) | First Purim feast (Es. 9:17-23)
E | Esther, Book of (following the order of the story) | The Jews had light, and gladness, and joy, and honour (Es. 8:16-17)
E | Esther, Book of (following the order of the story) | Ship(s) going out to sea (based on Es. 10:1)
O | Ornamentation: | Main text framed
The scroll is preserved in a satisfactory state.
The opening decoration and the border on the first membrane - especially on the lower margin - are very poorly preserved; in the initial panel, only the central scene of the upper register is partly visible. This membrane is also seriously crumpled.
Similarly, some parts of the decoration in the lower margins of the third and fourth sheets are damaged.
Some parts of the text are difficult to decipher.
The sheets are sewn together in a not aesthetic manner.
In the benedictions' formulas, only the opening words are legible, the rest of the text is almost invisible.
The Book of Esther in Hebrew preceded with the benedictions recited before the Megillah reading
The scroll is formed of 4 sheets containing a total of 16 columns of text with 24 or 26 lines, except for col. 14 which has 11 lines divided into two half-columns. Additionally, initial benedictions are written within the opening decoration.
Every sheet contains 4 columns of text.
The text is inscribed in the Hebrew square script, in brown ink, on the flesh side of the parchment membranes.
On the basis of the picture, it cannot be determined whether the letter ח (Es. 1:6) is marked in any way. The letter ת (Es. 9:29) is enlarged and bolded. Other enlarged and diminished letters are included in col. 14.
The initial word of the Megillah is enlarged and bolded.
The sheets in the scroll are stitched.
The ruling and pricking cannot be determined because they are not visible in the photos.
The benedictions: from their texts, only the initial words ברוך are well visible. They are written in the square script and the letters in them are enlarged and bolded; they seem to be written in darker ink.
There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative columns, the pedestals with angel's heads and bases were added, therefore, the text panels in these scrolls are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.
The earliest scroll sharing a similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).
Similar narrative scenes are included in the scrolls with "portrait medallions" (see in the Index); some of them are their mirror image.
The former number of the manuscript is Ms 311.
The Hebrew inscription of the former owner on the blank side of the sheet is placed: הק' וואלף ליב אבילעס מק'ק אטטערסדארף - "The humble Wolf Leib Abeles from the holy community of Ottersdorf".
The scroll was acquired in Brno. It was among the Judaic objects gathered by the Nazis between 1942 and 1945.
The scroll is described in:
Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, "Judaica Bohemiae" 1979, nr 15/2, 79-80.
Olga Sixtova, O svitku / Form of the Scroll [katalog k výstavě konané v Galerii Roberta Guttmanna Židovského muzea v Praze od 22. června do 26. července 2006], Praha 2006, 37.
Images of the scroll are available http://collections.jewishmuseum.cz/index.php/Detail/Object/Show/object_id/221264 (accessed on 21.10.2020).
Other scrolls sharing the same or similar pattern are discussed for example in:
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.
Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, 63-64, object 72.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:163-176, 2:41-49.