Text column no. 10 (sheet no. 3): In the upper margin, a bust of a young woman with a flower in the hand is depicted. In the frame placed in the lower margin, Mordecai in royal apparel riding on horseback, and is led by Haman (Es. 6:11). In the background, several buildings are visible.
Text column no. 11 (sheet no. 3): In the upper margin, a bust of a man wearing a typical Jewish dress - Mordecai - is depicted. In the frame placed in the lower margin, the second banquet given by Esther is depicted (Es. 7:1). The king and Haman are seated at a table together with the queen. A servant is approaching the table with a tray.
Text column no. 12 (sheet no. 3): In the upper margin, a bust of a young man (one of the princes of Media and Persia listed in Es. 1:14?) is depicted. In the frame placed in the lower margin, on the right, on a bed with a canopy reclines Esther. Haman is falling on the bed while he is begging the queen for his life and this happens at the moment when the king returns from the palace gardens (Es. 7:8); he is shown on the left. In the small rectangular window, a gallows is visible; this is the same gallows that Haman built for Mordecai (Es. 5:14) and its presence here suggests the upcoming death of Haman (Es. 7:10).
In the octagons separating the frames are depicted (from right to left): 1) a rider next to a tree, 2) palace (?) gardens, 3) a carillon, 4) a landscape with a tree and a castle (?).
Esther, Book of (following the order of the story) | Esther's second banquet (Es. 7:1)
Esther, Book of (following the order of the story) | Ahasuerus returns from the palace garden (Es. 7:8)
Esther, Book of (following the order of the story) | Haman falling on Esther's bed (Es. 7:8)
Esther, Book of (following the order of the story) | Gallows built for Mordecai (Es. 5:14)
Portrait | Portrait medallion
Esther, Book of (following the order of the story) | Esther story protagonists
Ornamentation: | Architectonic motif
Book of Esther in Hebrew with the benedictions recited before and after the Megillah reading and the liturgical poem אשר הניא
The scroll is formed of 4 sheets containing 16 columns of text and two additional benediction panels at the beginning and the end of the manuscript. Columns include 27, 28, or 30 lines of the text, except for col. 1 with 20 lines and an initial word that is written in a separate line, and col. 14 with 11 lines divided into two parts.
Every sheet comprises 4 columns of the text and the last sheet contains additionally the benediction panel.
The text is inscribed in the Hebrew square script with tagin, in brown ink, on the flesh side of parchment membranes.
The scroll opens with a decorative initial word in which every letter is separated and surrounded with a filigree ornament.
The letter ח (Es. 1:6) is highlighted by its size (it is enlarged and bolded) and form (it is composed of two elements joined with a roof and has scrolled feet). The letter ת (Es. 9:29) is enlarged and bolded. Other enlarged and diminished letters are included in col. 14; additionally, every letter in this section is outlined with a thin, light brown line.
The ruling and pricking are invisible.
The sheets in the scroll are stitched.
The benedictions: The initial benedictions are inscribed in the central panel of the opening decoration. The words ברוך are separated from the rest of the formulas written in the square script. The background is filled with a filigree ornament drawn in brown ink.
The final blessing starts with a decorative word ברוך in which every letter is separated and surrounded with a filigree ornament. In the column below it, the Purim poem is copied in a semi-cursive script; only the letters opening the subsequent verses are inscribed in the square script (they are bolded too), and two large letters - א and ש - against a decorative background drawn in brown ink are incorporated.
For other scrolls sharing the same or similar pattern see IDs: 1545, 1547, 23764, 36305, 37876.
For related scrolls see IDs: 1545, 36305, 37875.
The manuscript is unique due to col. 14 in which the text is written by hand, while the gallows is printed and it lacks the filigree ornament that should surround the text (in other scrolls sharing the same border, both the text and decorations are printed; the gallows is placed in the center and the ornament behind the text appears). Additionally, this is the only manuscript in which large, decorative letters are incorporated.
The scroll is mentioned in:
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:176-188.
Manuscripts sharing the same pattern are described in:
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.
Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, "Judaica Bohemiae" 1979, nr 15/2, 80-83.