Cartouche 11 (upper margin): On the right, Ahasuerus stands next to his throne and points at Haman who stands before him while they are talking (Es. 6:6-10). On the left, Mordecai rides a horse followed by two men and Haman walks before him while blowing a trumpet (Es. 6:11). The scene of the triumph of Mordecai is supplemented by the depiction of Haman's daughter who, from a window above, empties a chamber pot on her father's head (Megillah 16a).
Cartouche 12 (lower margin): On the right, the second banquet given by Esther is shown (Es. 7:1). The queen sits at a round laid table and is accompanied by Ahasuerus (who sits on the canopied throne) and Haman (who sits between them). In the central part of the cartouche, Haman is begging for his life and is prostrated on the floor before Esther while Ahasuerus is returning from the palace gardens (Es. 7:7-8). On the left, Ahasuerus stands in the palace garden with a scepter in his hand, accompanied by two chamberlains; one of them may be Harbonah, who suggests hanging Haman on the gallows he had prepared for Mordecai (Es. 7:9).
Cartouche 13 (upper margin): On the right, Haman is hanged on the gallows (Es. 7:10). A ladder leans against it and three guards, holding spears, stand on the left. At Haman's feet, there is a dog that is looking up at him. On the left, Ahasuerus sits on the canopied throne and extends his scepter to Esther, who kneels at his feet and touches the tip of the scepter. Mordecai stands in the background and watches the scene (Es. 8:1-4). This either depicts the moment when the king gives Haman's properties to Esther (Es. 8:1) or when Esther is pleading to annul Haman's decree (Es. 8:3-4).
Cartouche 14 (lower margin): On the right, Ahasuerus sits on a throne under a canopy and extends the scepter to Esther, who kneels at his feet and touches the tip of the scepter. Behind the throne stands a man (possibly Mordecai) and in the background, two king's scribes sit at a table and write the king's decree (Es. 8:9). On the left, two mounted messengers ride towards a walled city on the far left (Es. 8:14).
An average letter is ca. 2 mm high, whereas the letters in col. 16 are ca. 5 mm high.
O | Ornamentation: | Endless knot
E | Esther, Book of (following the order of the story) | Mordecai's triumph (Es. 6:11)
E | Esther, Book of (following the order of the story) | Haman's daughter empties a chamber pot on her father's head (Bab. Talmud, Megillah 16a)
E | Esther, Book of (following the order of the story) | Esther's second banquet (Es. 7:1)
E | Esther, Book of (following the order of the story) | Haman begging for his life (Es. 7:8)
E | Esther, Book of (following the order of the story) | Harbona suggests to hang Haman (Es. 7:9)
E | Esther, Book of (following the order of the story) | Ahasuerus asks Haman how to honour a man he wishes to reward (Es. 6:5-10)
E | Esther, Book of (following the order of the story) | Ahasuerus returns from the palace garden (Es. 7:8)
E | Esther, Book of (following the order of the story) | Haman hanged (Es. 7:10)
E | Esther, Book of (following the order of the story) | Ahasuerus giving Esther the house of Haman (Es. 8:1)
E | Esther, Book of (following the order of the story) | Esther at Ahasuerus' feet, pleading he annuls Haman's decree (Es. 8:3)
E | Esther, Book of (following the order of the story) | Ahasuerus extending his scepter to Esther (Es. 8:4)
E | Esther, Book of (following the order of the story) | New decree allowing the Jews to defend themselves (Es. 8:8-10)
E | Esther, Book of (following the order of the story) | Ahasuerus' messenger(s) (Es. 8:14)
| (?)
In general, the scroll is preserved in very good condition, although the state of the decoration is better than that of the text.
Some parts of the text are faded but they are still legible.
The membranes are bright, very smooth, slightly shiny, and their edges are straight.
The scroll consists of 3 membranes with 19 columns written in 9 double text panels and a single panel. They contain 22 lines per column, except for col. 18 with 23 lines and col. 16 with 11 lines (the section lists the names of Haman's sons that are inscribed in a popular layout, in a larger script). The membranes contain respectively 6, 8, and 5 text columns.
Written on the flesh side in a small, square Italian script with tagim, in brown-black ink.
The ruling is visible in the places with no text and decoration and on the blank side of membranes.
Pricking is not discernible.
Membranes in the scroll are sewn together with sinew threads.
The name "Gaster I" was introduced by Mendel Metzger in his article entitled "The Earliest Engraved Italian Megilloth" (see "Bibliography"). The type was named after Moses Gaster (1856–1939), the rabbi, scholar, and manuscript collector, who owned a scroll adorned with this pattern (at present this is the scroll Gaster Hebrew MS 710 stored in the John Rylands Library in Manchester - ID 36150). At least 25 manuscripts representing this type are still extant and are preserved in private and institutional collections. For their descriptions see "Related objects".
The pattern features a number of decorative elements common with the scrolls of Klagsbald type.
Originally the cartouches and the endless knot motifs may have been painted gold; some traces of paint are still visible on the first membrane.
The opening edge of the scroll is cut in the shape of a multifoil arch, while its final edge is cropped straight and is perforated with four holes which were probably used for holding the (missing) rod.
The word "Esther" is written in a Latin cursive script (in pencil) on the recto side of the opening edge of the scroll.
The former shelfmarks are written on the blank (hair) side of the opening section of the scroll: 3944 (in ink), 48339 and RFAN (in pencil). The collection of eight megillot Esther stored in the Jewish Historical Institute contains the manuscripts taken from three places: 1) Kunzendorf (Trzebieszowice) village in the Lower Silesian Voivodeship, 2) collection point of the Ministry of Culture and Art in Bożków (Lower Silesian Voivodeship), 3) city museum of Toruń. It cannot be determined in which of these places the scroll was previously stored.
Bibliography concerning the scroll from the JHI collection:
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:99-119, 2:64-69.
Dagmara Budzioch, "An Illustrated Scroll of Esther from the Collection of the Jewish Historical Institute as an Example of the Gaster I Megilloth," Kwartalnik Historii Żydów 2013, no. 3 (247), 533–547.
Marian Fuks, Zygmunt Hoffman, Maurycy Horn, Żydzi polscy. Dzieje i kultura, Warszawa 1982, 102.
The online collection of the ritual objects from the E. Ringelblum Jewish Historical Institute is available on http://cbj.jhi.pl/collections/964689
Selected bibliography concerning other scrolls decorated with the same border:
Mendel Metzger, The Earliest Engraved Italian Megilloth, Bulletin of the John Rylands Library 1966, 48/2, 381–432.
Cornelia Bodea, Treasures of Jewish Art. The 1673 Illuminated Scroll of Esther Offered to a Romanian Hierarch, Iaşi–Oxford–Palm Beach–Portland 2002.
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 240-241.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 262-263.
Dagmara Budzioch, "An Illustrated Scroll of Esther from the Collection of the Jewish Historical Institute as an Example of the Gaster I Megilloth," Kwartalnik Historii Żydów 2013, no. 3 (247), 533–547.