Sheet 1 (text panels 2 and 3)
Cartouche 3 (upper margin): On the right, the bearded Ahasuerus sits on his throne and is accompanied by the seven princes of Persia and Media. He holds a scepter in his left hand and his other hand points to a man, probably Memucan, who stands before him. Six more men stand behind Memucan and a soldier holding a shield stands behind the king's throne. This scene shows the moment when the king asks his advisers what they think the fate of Vashti should be (Es. 1:13-20). On the left, two king's messengers ride on horseback towards a city in the background (Es. 1:21-23).
Cartouche 4 (lower margin): At the center of this cartouche, a group of women is brought to the king's court (Es. 2:1-4). They are led by a man wearing a turban (most likely Hegai) who holds the first one's hand (Es. 2:8). A carriage drawn by two horses can be seen in the background on the left.
Cartouche 5 (upper margin): In the center, the bearded Ahasuerus, shown here wearing a turban, is seated on the canopied throne, flanked by eight men also in turbans who sit on benches. Both of the king's hands are outstretched: in one of them, he holds a crown which he is about to place on the head of Esther, who kneels before him. Behind her, four women stand (Es. 2:17).
Cartouche 6 (lower margin): On the right, Mordecai is shown wearing a turban, standing within a gate in the wall, and looking at two men who are probably Bigthan and Teresh (Es. 2:21). On the left, Haman is approaching Ahasuerus who is sitting on a raised throne with a canopy. The king holds a scepter in one hand and a ring in the other, which he gives to Haman (Es. 3:10). A man wearing a turban stands behind the throne. In the center of the cartouche, there is a fountain.
An average letter is ca. 2 mm high, whereas the letters in col. 16 are ca. 5 mm high.
O | Ornamentation: | Endless knot
O | Ornamentation: | Foliate and floral ornaments
E | Esther, Book of (following the order of the story) | Ahasuerus' messenger(s) (Es. 1:22)
E | Esther, Book of (following the order of the story) | Hegai taking Esther and the maiden(s) to the palace (Es. 2:8)
E | Esther, Book of (following the order of the story) | Ahasuerus and the seven princes of Persia and Media (Es. 1:13-15)
E | Esther, Book of (following the order of the story) | Memucan advises the king regarding the fate of Vashti (Es. 1:19)
E | Esther, Book of (following the order of the story) | Coronation of Esther (Es. 2:17)
E | Esther, Book of (following the order of the story) | Ahasuerus handing his ring to Haman (Es. 3:10)
E | Esther, Book of (following the order of the story) | Mordecai with Bigthan and Teresh (Es. 2:21)
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In general, the scroll is preserved in very good condition, although the state of the decoration is better than that of the text.
Some parts of the text are faded but they are still legible.
The membranes are bright, very smooth, slightly shiny, and their edges are straight.
The scroll consists of 3 membranes with 19 columns written in 9 double text panels and a single panel. They contain 22 lines per column, except for col. 18 with 23 lines and col. 16 with 11 lines (the section lists the names of Haman's sons that are inscribed in a popular layout, in a larger script). The membranes contain respectively 6, 8, and 5 text columns.
Written on the flesh side in a small, square Italian script with tagim, in brown-black ink.
The ruling is visible in the places with no text and decoration and on the blank side of membranes.
Pricking is not discernible.
Membranes in the scroll are sewn together with sinew threads.
The name "Gaster I" was introduced by Mendel Metzger in his article entitled "The Earliest Engraved Italian Megilloth" (see "Bibliography"). The type was named after Moses Gaster (1856–1939), the rabbi, scholar, and manuscript collector, who owned a scroll adorned with this pattern (at present this is the scroll Gaster Hebrew MS 710 stored in the John Rylands Library in Manchester - ID 36150). At least 25 manuscripts representing this type are still extant and are preserved in private and institutional collections. For their descriptions see "Related objects".
The pattern features a number of decorative elements common with the scrolls of Klagsbald type.
Originally the cartouches and the endless knot motifs may have been painted gold; some traces of paint are still visible on the first membrane.
The opening edge of the scroll is cut in the shape of a multifoil arch, while its final edge is cropped straight and is perforated with four holes which were probably used for holding the (missing) rod.
The word "Esther" is written in a Latin cursive script (in pencil) on the recto side of the opening edge of the scroll.
The former shelfmarks are written on the blank (hair) side of the opening section of the scroll: 3944 (in ink), 48339 and RFAN (in pencil). The collection of eight megillot Esther stored in the Jewish Historical Institute contains the manuscripts taken from three places: 1) Kunzendorf (Trzebieszowice) village in the Lower Silesian Voivodeship, 2) collection point of the Ministry of Culture and Art in Bożków (Lower Silesian Voivodeship), 3) city museum of Toruń. It cannot be determined in which of these places the scroll was previously stored.
Bibliography concerning the scroll from the JHI collection:
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:99-119, 2:64-69.
Dagmara Budzioch, "An Illustrated Scroll of Esther from the Collection of the Jewish Historical Institute as an Example of the Gaster I Megilloth," Kwartalnik Historii Żydów 2013, no. 3 (247), 533–547.
Marian Fuks, Zygmunt Hoffman, Maurycy Horn, Żydzi polscy. Dzieje i kultura, Warszawa 1982, 102.
The online collection of the ritual objects from the E. Ringelblum Jewish Historical Institute is available on http://cbj.jhi.pl/collections/964689
Selected bibliography concerning other scrolls decorated with the same border:
Mendel Metzger, The Earliest Engraved Italian Megilloth, Bulletin of the John Rylands Library 1966, 48/2, 381–432.
Cornelia Bodea, Treasures of Jewish Art. The 1673 Illuminated Scroll of Esther Offered to a Romanian Hierarch, Iaşi–Oxford–Palm Beach–Portland 2002.
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 240-241.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 262-263.
Dagmara Budzioch, "An Illustrated Scroll of Esther from the Collection of the Jewish Historical Institute as an Example of the Gaster I Megilloth," Kwartalnik Historii Żydów 2013, no. 3 (247), 533–547.