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Col. 11: In the upper margin, landscape no. 3 is printed and in the frame in the lower margin, the second banquet given by Esther is depicted (Es. 7:1). Together with the queen, the king and Haman are seated at a table. A servant is approaching the table with a tray.

Col. 12: In the upper margin, landscape no. 4 is printed and in the frame in the lower margin, on a bed with a canopy reclines Esther (on the right). Haman is falling on the bed while he is begging the queen for his life and this happens at the moment when the king returns from the palace gardens (Es. 7:8); he is shown on the right. In the small rectangular window, a gallows is visible; this is the same gallows that Haman built for Mordecai (Es. 5:14) and its presence here suggests the upcoming death of Haman (Es. 7:10).

Col. 13: In the upper margin, landscape no. 1 is printed and in the frame in the lower margin, a table with three scribes seated at it is shown. Most likely they write the decree allowing the Jews to defend themselves (Es. 8:8-10) and two king's messengers (on the right) are going to deliver the new decree (Es. 8:14).

Name/Title
JHI Esther Scroll with Landscapes I | Unknown
Object Detail
cols. 11-13
Date
early 18th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Scrolls with landscapes|

The family of Dutch Esther scrolls from the early 18th century designed by an anonymous engraver whose decorative scheme is characterized by four different landscapes framed in cartouches of different shapes that fill upper margins. The scrolls of this family begin with a panel composed of several figurative scenes from the Book of Esther narrative. The text columns are interspaced by the columns decorated with reliefs, elaborate acanthus leaves and garlands above which are either decorative capitals or putti holding the baskets with flowers on their heads. Lower margins are filled with the figurative scenes that chronicle the Purim story or allude to midrashim and other sources; they are interspersed by vases with plants. The same decoration repeats on all four sheets forming each manuscript. Some of their exemplars are painted by hand.

Period
Unknown
Period Detail
Material/Technique
Ink on parchment (hand-written text, printed border)
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
The scroll: ca. 170x1675 mm.
The length of the sheets in the scroll: 1) ca. 485 mm, 2) ca. 400 mm, 3) ca. 390 mm, 4) ca. 420 mm (the sheets are wavy, therefore it is difficult to measure them carefully).
Dimensions of the selected details in the scroll:
- decorations in the upper margins: ca. 32 mm;
- decorations in the lower margins: ca. 38 mm;
- text panel: 64 mm (width);
- spaces between the text panels: ca. 27 mm;
- frames with illustration(s): 38x73 mm;
- an average square letter: 2 mm (height);
- an average semicursive letter: 2 mm (height);
- the letters in the opening word of the Megillah, in the word ברוך, and in col. 14: 4 mm (height).
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
The scroll is very well preserved. There is a small loss in the lower edge of the first sheet that is caused by the original shape of the sheet.
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents

The Book of Esther in Hebrew preceded with the benedictions recited before the Megillah reading

Codicology

The scroll is formed of 4 sheets containing 16 columns of the text with 24 or 27 lines, except for col. 14 with 11 lines divided into two parts. 

Every sheet contains 4 columns of text.

The text is inscribed in the Hebrew square script, in brown ink on the flesh side of parchment membranes.

The membranes vary: the first is very thick, the second is very thin, whereas the third is of medium thickness. The sheets are rather grey but the flesh side is brighter and smoother than the hair side that is darker and rather suede.

The letter ח (Es. 1:6) is marked by its form - it is decorated with scrolling feet. The letter ת is enlarged (Es. 9:29). Other enlarged and diminished letters are included in col. 14.

The ruling is slightly visible.

The pricking is visible at the very beginning and the end of the scroll.

The membranes in the scroll are stitched.

The benedictions are inscribed in the semicursive script except for their initial words in benedictions no. 1 and 3 or the first three words in benediction no. 2; they are written in square, larger, and bolded letters.

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon

None

Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative columns, the pedestals with angel's heads and bases were added, therefore, the text panels in these scrolls are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.

The earliest scroll sharing a similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).

At least 25 manuscripts featuring a similar pattern are still extant. For their descriptions see IDs: 1544, 21795, 21804, 23637, 23758, 23763, 34764, 34776, 34781, and 36173.

Similar narrative scenes are included in the scrolls with "portrait medallions" (see in the Index); some of them are their mirror image.

The final part of the scroll - ca. 25 mm wide - is blank; only the pricking is visible.

A contrast between the border printed in black ink and the text inscribed in light brown ink can be seen. The letters in col. 14 are darker than the text in all other columns.

Suggested Reconsdivuction
History/Provenance
Former numbers of the manuscript on the blank side of the opening section are visible: 2241 (on a sticker) and ŻIH C-254/4.
Main Surveys & Excavations
Bibliography

The scroll is described in:

Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warszawa 2019, 1:163-176, 2:41-49.

Central Judaica Database - http://judaika.polin.pl

Other scrolls sharing the same or similar pattern are discussed for example in:

Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, „Judaica Bohemiae” 1979, nr 15/2, 79-80.

Olga Sixtova, O svitku / Form of the Scroll [katalog k výstavě konané v Galerii Roberta Guttmanna Židovského muzea v Praze od 22. června do 26. července 2006], Prague 2006, 37.

A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.

Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.

Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, 63-64, object 72.

Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Researcher
Dagmara Budzioch | 2020
Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
M002157