Landscape no. 4 is printed in the upper margin and frame no. 16 is in the lower margin.
Frame 16: On the right and in the center, a feast commences with musicians and dancing people (of both sexes). One of the dancers is shown wearing typical contemporary clothing for Jews of the time when this scroll was designed, another is wearing a checkered costume, and yet another is wearing a long curly wig. It is unclear whether this illustration depicts the victory feast after the Jews' triumph over their enemies (Es. 8:16-17) or the first Purim feast (Es. 9:17-23). On the left side of the frame, there is an illustration of a ship at sea (this alludes to Es. 10:1). The scene is inscribed: פורים
The Book of Esther in Hebrew with initial benedictions
The scroll is formed of 4 sheets containing 16 columns of the text with 24 or 27 lines, except for col. 14 with 11 lines divided into two parts.
Every sheet contains 4 columns of text.
The text is inscribed in the Hebrew square script, in brown ink on the flesh side of parchment membranes.
The letters ח (Es. 1:6) and ת (Es. 9:29) are highlighted by their size. Other enlarged and diminished letters are included in col. 14.
The initial word of the Megillah is enlarged and bolded.
The ruling - made with a hardpoint - is slightly visible.
The sheets in the scroll are stitched.
The benedictions open with enlarged and bolded words ברוך written separately in the lines. The formulas are inscribed in the square script. Two of them include the ligature of א and ל letters.
There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative herms, the pedestals with angel's heads and bases were added, therefore, the text panels are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.
Similar narrative scenes are included in the scrolls with "portrait medallions".
The earliest scroll sharing a similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).
The scrolls sharing the same or similar pattern are discussed for example in:
Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, "Judaica Bohemiae" 1979, nr 15/2, 79-80.
A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.
Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.
Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, 63-64, object 72.
Falk Wiesemann, Codex hebraicus 159, [in:] Irina Wandrey ed., Manuscript Cultures, vol. 6, 257-259.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warszawa 2019, 1:163-176, 2:41-49.