Under Reconstruction!
Art Alone

Img. ID: 328248

© Dagmara Budzioch, Photographer: Budzioch, Dagmara, 3.2015

In the upper margin, landscapes nos. 1 and 2 are printed and in the lower margin, there are frames nos. 5 and 6.

Frame 5: On the right, a man with a bow in his hands is depicted; he is aiming at the wheel with the signs of Zodiac on its perimeter (on the left). The scene is shown against the landscape. The depiction symbolically shows the moment of casting lots by Haman (alludes to Es. 3:7). The Book of Esther mentions only casting lots that means appointing the least favorable period for Jews, but there is no reference to the signs of Zodiac in the text.

Frame 6: On the left, a mounted messenger is carrying the edict of Haman that he holds in his right hand (Es. 3:13) and in his other hand, he has a French horn. He is riding towards a man sitting under a tree, most likely Mordecai, who tears his clothes as a sign of mourning (Es. 4:1).

MAHJ Esther Scroll with Landscapes I | Unknown
Object Detail
cols. 5 and 6
early 18th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Community type
Unknown |
Unknown |
Scrolls with landscapes|

The family of Dutch Esther scrolls from the early 18<\/span>th<\/span> century designed by an anonymous engraver whose decorative scheme is characterized by four different landscapes framed in cartouches of different shapes that fill upper margins. The scrolls of this family begin with a panel composed of several figurative scenes from the Book of Esther narrative. The text columns are interspaced by the columns decorated with reliefs, elaborate acanthus leaves and garlands above which are either decorative capitals or <\/span>putti<\/span><\/em> holding the baskets with flowers on their heads. Lower margins are filled with the figurative scenes that chronicle the Purim story or allude to<\/span> midrashim<\/span><\/em> and other sources; they are interspersed by vases with plants. The same decoration repeats on all four sheets forming each manuscript. Some of their exemplars are painted by hand. <\/span><\/p>"}

Period Detail
France | Paris | Musée d’art et d’histoire du Judaïsme Paris (MAHJ)
| inv. D.98.04.072.CL (former number Cl 12296a)
Documentation / Research project
Ink on parchment (the text copied by hand, printed border) + wood
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Construction material
The length of the membranes in the scroll: 1) ca. 485 mm, 2) ca. 385 mm, 3) ca. 385 mm, 4) at least 270 mm (during the research, the final part of the manuscript remained in the case, so the total length of the fourth membrane could not be measured precisely).
An average letter is ca. 2 mm high except for the letters in col. 14 in which are ca. 6 mm high.
Dimensions of the selected details in the scroll:
- upper margins - 30 mm;
- lower margins - ca. 35 mm;
- a text panel - 92 x 67 mm.
ca. 160 mm
Panel Measurements
The manuscript is well preserved, except for the first membrane that is in satisfactory condition; the text and printed border are faded, and the parchment is wavy.
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Type of grave
The Book of Esther in Hebrew

The scroll is formed of 4 membranes containing most likely 16 text columns (during the research, a part of the manuscript remained rolled in the case) which differs in the number of lines between 21 and 25 except for col. 14 that is inscribed in 11 lines divided into two parts. The membranes nos. 1-3 contain 4 text columns and most likely the same number of columns is on the fourth sheet.

The text is inscribed on the flesh side of parchment membranes in a small square script, in dark brown ink (at the beginning of the scroll, the shade of the ink is lighter).

The first word of the Megillah is enlarged. Similarly, the letter ח (Es. 1:6) is enlarged and bolded. Additionally, col. 14 contains enlarged and diminished letters. During the research, the final part of the manuscript remained in the case, therefore, it cannot be determined if the last column includes the letter ת that is highlighted in any way.

Every benediction starts with an enlarged and bolded word ברוך that is written separately in the first line of a particular formula.

The parchment is rather grey and very stiff. The side of the membranes with the decorations and the text is more smooth than the other one that is rather suede.  

The ruling is barely visible; it can be discerned in the places where the text is absent and on the blank side of the membranes.

The membranes are stitched but the sewing is not aesthetic.

Number of Lines
Hebrew Numeration
Blank Leaves
Façade (main)
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin Series
Coin Ruler
Coin Year
Scribal Notes
Trade Mark
Decoration Program
Summary and Remarks

There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative columns, the pedestals with angel's heads and bases were added, therefore, the text panels in these scrolls are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.

The earliest scroll sharing a similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).

At least 25 manuscripts featuring similar pattern are still extant. For descriptions of other scrolls sharing similar pattern see IDs: 23637, 23758, 23763, 34776, 35188, and 36173.

Similar narrative scenes are included in the scrolls with "portrait medallions" (see in the Index); some of them are their mirror image.

The scroll is on display in the permanent exhibition of the Museum.

The membranes of the scroll are a bit lower than in many other scrolls featuring the same pattern; possibly they were trimmed so the manuscript could fit in the wooden case.

Suggested Reconsdivuction
Formerly stored in the Strauss collection (no. 76). Donated by Rothschild.
Main Surveys & Excavations

The scroll is described in:

Victor Klagsbald, Catalogue raisonné de la collection juive du Musée de Cluny, Paris 1981, 63-64, object 72.

A short description in French and a photograph are available on https: https://www.mahj.org/en/decouvrir-collections-betsalel/rouleau-d-esther-50073 (accessed on 30.05.2020).

Other scrolls sharing the same or similar pattern are discussed for example in:

Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, „Judaica Bohemiae” 1979, nr 15/2, 79-80.

Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warszawa 2019, 1:163-176, 2:41-49.

Olga Sixtova, O svitku / Form of the Scroll [katalog k výstavě konané v Galerii Roberta Guttmanna Židovského muzea v Praze od 22. června do 26. července 2006], Prague 2006, 37.

A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.

Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.

Short Name
Full Name
Dagmara Budzioch | 2020
Author of description
Dagmara Budzioch | 2020
Architectural Drawings
Computer Reconstruction
Section Head
Language Editor
Negative/Photo. No.