Frame 7: on the right side of this frame, a male figure - most likely Haman - dictates the decree against the Jews to a scribe who sits at a table with two other men (Es. 3:12). On the left side of the frame, the crowned Esther stands in a walled courtyard with two handmaidens. A man wearing a turban - possibly her servant, Hatach - is facing her as if they are in conversation and another man in a turban - most likely Mordecai - stands in front of the palace gate in the background (Es. 4:4).
The space between the lines in a typical text column is 3 mm.
The printed border is ca. 285 mm high.
The dimensions of the details:
- an opening decoration - 280 x ca. 150 mm;
- a final decoration - 100 x ca. 280 mm;
- a text panel (inside) - 150x90 mm;
- a typical frame with narrative scenes - ca. 30x85 mm;
- a section with a pair of roosters - 50 x ca. 95 mm;
- columns' bases - ca. 35x35 mm.
E | Esther, Book of (following the order of the story) | Esther is informed of the plot by her maiden(s) and servant(s) (Es. 4:4)
E | Esther, Book of (following the order of the story) | Scribe(s) writing Haman's decree (Es. 3:12)
The scroll is preserved in very good condition except for the opening part of the first membrane whose missing part must be supplemented with a piece of parchment on which decoration is painted. The first and second membranes are stitched together in a rather untidy manner.
The scroll if formed of 5 membranes on which 19 text columns are inscribed with 22 lines per column, except for col. 16 which has 11 lines, divided into two parts.
The text is inscribed in black ink, in Italian square Hebrew script on the flesh side of the parchment membranes.
The letters ח (Es. 1:6) and ת (Es. 9:29) are bolded and enlarged. Similarly, the traditional enlarged and smaller letters are included in the section of the IX chapter listing the names of Haman's sons (Es. 9:6-10 - col. 16).
The left margins of the text columns are not straight even if some letters are elongated or shortened.
The ruling is made by a stylus; both - horizontal and vertical lines - are visible.
The parchment is bright, smooth, and of medium thickness but it is not stiff.
The name "Gaster II" was introduced by Mendel Metzger in his article "The Earliest Engraved Italian Megilloth" (see "Bibliography"). The type was named after Moses Gaster (1856–1939), the rabbi, scholar, and Judaica collector whose collections included a scroll adorned with this pattern (at present this is the scroll Gaster Hebrew MS 711 stored in the John Rylands Library in Manchester). At least 8 manuscripts representing this type are known; they are preserved in private and institutional collections. For their descriptions see "Related objects".
The decorative scheme of Gaster II scrolls shows common features with the Griselini and Pseudo-Griselini scrolls (see "Griselini scrolls" and "Pseudo-Griselini scrolls" in the Index), whereas the narrative scenes are the same as in the scrolls representing Klagsbald type (see ID 31). The exception is frame no. 19 that in Gaster II scrolls joins the illustrations no. 19 and 20 from Klagsbald scrolls.
The general layout of the decoration is the same in all exemplars of Gaster II scrolls, however, particular manuscripts differ in detail; especially their opening decorations vary.
Some frames containing the narrative scenes are not very well printed.
The sequence of the illustrations on the second membrane - except for the frame no. 5 - is different than in other manuscripts representing this type and in Klagsbald scrolls (see IDs 31 and 34766) in which the same metal plates were used.
A field of the decorative cartouche placed in the center of the opening decoration could originally contain a text that was erased.
On the edges of the first membrane, a pricking is visible that suggests that a belt of fabric could have been sewn underneath, as it was customary in the Amsterdam Jewish communities.
In the cartouches flanked by pairs of birds, the Arabic numerals 1-20 are inscribed that mark the subsequent text panels.
Above every cartouche, a peacock is placed (they are rather sketchy and only their tails suggest that the birds represent peacocks). In other Gaster II scrolls, above some of the cartouches, double-headed eagles are also placed.
Some details in the ornamentation were originally painted gold; at present these parts are green.
All green elements are visible on the blank (hair) side of the sheets.
The manuscript is stored unrolled, in a box.
The manuscript is listed in:
Hebrew and Judaic manuscripts in Amsterdam public collections Catalogue of the manuscripts of the Bibliotheca Rosenthaliana, University Library of Amsterdam eds. L. Fuks and R. G. Fuks-Mansfeld, Leiden 1973.
The scrolls representing the same or similar pattern are discussed in:
Mendel Metzger, "The Earliest Engraved Italian Megilloth", Bulletin of the John Rylands Library, 48:2 (1966), 381‒432.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:124-134, 322.
Dagmara Budzioch, The Decorated Megillot Esther in the Moses Gaster Hebrew Manuscript Collection at the John Rylands Library: a comparative analysis with reference to Eighteenth-century Italian scrolls, Journal of Semitic Studies Supplement Series [in print].