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© ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art, Photographer: Unknown, -

In the upper margin, a bust of a man with a mustache and a cap on his head (Haman?) and a bust of a young woman (one of the queens?) are depicted. In the lower margin, there are two frames with illustrations:

Frame 2: Queen Vashti is portrayed while she is strangled by two women standing on either side of her. During the execution, she keels with hands folded on the chest, and the crown lies on the floor, behind her. The Book of Esther does not mention the fate of Vashti after her refusal of the king's order and the source for this representation remains unknown.

Frame 3: The frame contains the depiction of the walled city. In the central part of the wall, there is a gate at which a man (Mordecai) is seated (Es. 2:19 and/or 2:21).

In the octagons separating the frames are depicted (from right to left): 1) a (palace?) garden, 2) a cityscape with a sun shining over a city, 3) a ship on the sea; the latter is on the second membrane of the scroll.

Name/Title
JHM Colored Esther Scroll with Portrait Medallions | Unknown
Object Detail
cols. 2 and 3
Settings
Unknown
Date
First quarter of the 18th century
Active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Scrolls with portrait medallions|
{"215":"The family of Dutch Esther scrolls from the early 18th century designed by an anonymous engraver whose decorative scheme features decorative medallions surrounded by acanthus containing busts of the Esther story protagonists, except for the last that is filled with a printed word \u05d1\u05e8\u05d5\u05da barukh (“blessed”). The medallions are placed in upper margins, above text panels. The text columns are separated by pillars formed of a variety of motifs such as trees, flowers, acanthus leaves, heads of angels, and architectural elements. Lower margins are filled with the figurative scenes that chronicle the Purim story or allude to midrashim and other sources. They are separated by the octagons (placed beneath the decorative pillars) filled with different land- and seascapes. At the end of the scroll there are five full figures of the Esther story protagonists."}
Period
Unknown
Period Detail
Documentation / Research project
Unknown
Material / Technique
Ink and paints on parchment (handwritten text, printed and colored decorations)
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
The scroll: 200x1500 mm.
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition

The lower margin of the second membrane is seriously damaged; some of its parts are missing.

The sewings are in poor condition and not esthetic.

Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
0
Ornamentation
Custom
Contents

The Book of Esther in Hebrew with the benedictions recited before the Megillah reading and the liturgical poem Asher Heni

Codicology

The scroll is formed of 3 membranes containing benedictions recited before the Megillah reading + 12 columns of text + a final benediction panel. Each column includes 32 lines of text, except for col. 10 with 11 lines divided into two half-columns (the text in it is printed and not copied by hand).

Every sheet comprises 4 columns of the text each and the last sheet, additionally contains the benediction panel.

The text is inscribed in the Hebrew square script, in brown ink, on the flesh side of parchment membranes.

The scroll opens with an enlarged and bolded initial word.

The letter ח (Es. 1:6) is highlighted by its size (it is enlarged and bolded), form (it is composed of two elements joined with a roof and it is decorated with scrolled feet). The letter ת (Es. 9:29) is enlarged and bolded. Other enlarged and diminished letters are included in col. 10, however, this part of the scroll is printed and not penned by a scribe.

The final verse of the scroll is written in larger letters decorated with tagin.

There are some erasures and corrections in the text.

The ruling and pricking are invisible.

The sheets in the scroll are stitched together.

The benedictions: The initial benedictions are inscribed in the semi-cursive letters in the central panel of the opening decoration. All three words ברוך are enlarged and bolded.

The final blessing starts with a printed word ברוך placed in the upper margin and is copied in a square script. In the column below it, the Purim poem is copied in a square script. The letters opening the subsequent verses are enlarged and bolded.

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon

None

Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

Similar narrative scenes are included in "the scrolls with landscapes" (see their descriptions in the Index); some of them are their mirror image.

The scroll from the JHM collection is an exception because it contains only three sheets and not four as all other megillot decorated with this border. Sheet no. 3 is absent in the scroll, therefore some episodes (e.g. the triumph of Mordecai) are not represented in it.

In the last panel, just below the text of the Megillah, an inscription in Hebrew is written.

Remarks
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography

A short description of the scroll and images are available on https://data.jck.nl/page/aggregation/jhm-museum/M000414 (accessed on 17.07.2021).

Manuscripts sharing the same pattern are described in:

A Journey through Jewish Worlds: Highlights from the Braginsky Collection of Hebrew Manuscripts and Printed Books, eds. Evelyn M. Cohen, Emile Schrijver, Sharon Liberman Mintz, Amsterdam 2009, 234-237.

Schöne Seiten. Jüdische Schriftkultur aus der Braginsky Collection, eds. Emile Schrijver, Falk Wiesemann, Evelyn M. Cohen, Sharon Liberman Mintz, Menahem Schmeltzer, Zurich 2011, 282-283.

Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:176-188.

Jiřina Šedinová, From the Mss. Collections of the State Jewish Museum in Prague. The Scrolls of Esther, "Judaica Bohemiae" 1979, nr 15/2, 80-83.

Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Author of description
Dagmara Budzioch | 2020
Architectural Drawings
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Computer Reconstruction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
M606803